
Cut Copy Sound Like a Muffled Echo of Themselves
Moments feels like a less effective, generic version of the addictive earworms that Cut Copy once prescribed to our ears with masterpieces.

Moments feels like a less effective, generic version of the addictive earworms that Cut Copy once prescribed to our ears with masterpieces.

Jon King’s Gang of Four memoir To Hell With Poverty! is full of spit and vinegar, a bit tetchy with a sly sense of humor.

Viagra Boys’ self-titled album is a gleefully unhinged feat of epic silliness—just as musically brilliant as it is absurd, as willfully brutal as it is carefully constructed.

The Dare’s What’s Wrong With New York? is euphoric, massive, funny, blissfully unironic, and finally real male pop. I wouldn’t overthink it.

The current resurgence of Britpop could trigger nostalgia for late 1990s big beat like Lo Fidelity Allstars, while trip-hop remains a vital influence.

New Order’s danceable rhythms and quick, clean melodies inspired a slew of paler imitators then and a new onslaught of dance-punk bands in the past few decades.

Alpha Games is a superb return to form for Bloc Party, much-awaited, and an excellent entry to a fantastic and idiosyncratic discography.

Franz Ferdinand’s potential is repeatedly hinted at rather than fully realized on Hits to the Head. But it’s better to show potential than to have none at all.

Parquet Courts branch out into dance-rock and Madchester textures inspired by the rave’s communal, ecstatic atmosphere on their latest Sympathy for Life.

Liars’ founding member Angus Andrew talks with PopMatters about revisiting the band’s past work and creating a new sci-fi album, The Apple Drop.

Post-punk pioneers Gang of Four get the tribute they deserve on The Problem of Leisure: A Celebration of Andy Gill and Gang of Four.

In advance of their sixth studio album, we spoke with Cut Copy's Dan Whitford about Freeze, Melt, and the road the electropop group took to get to where they are.