The Dare’s ‘The Sex EP’ Wants You to Have a Really Good Time
The Dare’s mission is urgent, as simple as breathing. Have a good time – a stupid good time – like your life depends on it. Because it literally does.
The Dare’s mission is urgent, as simple as breathing. Have a good time – a stupid good time – like your life depends on it. Because it literally does.
Speaking in Tongues captures Talking Heads at the zenith of their funk freakout and just before a big gray suit would change everything. It’s an art-pop funk masterpiece.
A Certain Ratio have always been willing to fiddle with their sound. That they do so in 1982 doesn’t surprise and fits with their rejuvenation in the 2020s.
We Are Scientists’ Lobes is notable for building its songs specifically around keyboard lines and exploration of 1980s-style synth tones.
From releasing films as a band to using Brian Eno’s card deck to help guide the sound of their epic new double-LP, the Orielles remain as indescribable as ever.
We dance this mess around, get out our lava lamps, and explore why the B-52’s 1979 debut album is one of the best pop records ever made.
Destroyer’s Dan Bejar discusses the making of the band’s stellar new record LABYRINTHITIS while looking back to his past and forward to what might come next.
Very few of their peers surpass Eurythmics in terms of artistic vision, musicianship, songwriting, and creative audacity. This is the history of the seminal new wave group.
After an extended break and freak TikTok hit, the Wombats are back at their dance-rocking best on Fix Yourself, Not the World.
Parquet Courts branch out into dance-rock and Madchester textures inspired by the rave’s communal, ecstatic atmosphere on their latest Sympathy for Life.
Space rockers the Orielles remix A Certain Ratio’s funky dancefloor banger “Yo Yo Gi” and turn it into a footwork/2 step garage track called “Yo Yo Gimix”.
Level 42 started off wanting to be Return to Forever and ended up next to Culture Club and Spandau Ballet in the top 40. How did that happen?