dance rock

Meet the Beaches’ Beating Heart: Drummer Eliza Enman-McDaniel

Meet the Beaches’ Beating Heart: Drummer Eliza Enman-McDaniel

Getting heard in a band of super-powered women can be challenging, but the Beaches’ Eliza Enman-McDaniel does so much more than bang her drum all day.

Yard Act’s ‘Where’s My Utopia?’ Suits Our Post-Pandemic Moment

Yard Act’s ‘Where’s My Utopia?’ Suits Our Post-Pandemic Moment

Yard Act’s Where’s My Utopia? is a mother lode of cool sounds, critiques of late capitalism, meditation on fame’s futility, and a forecast of apocalyptic change.

New Order’s ‘Substance 1987’ Is Even More Essential on Re-issue

New Order’s ‘Substance 1987’ Is Even More Essential on Re-issue

This is the complete story of how New Order assimilated US underground dance sounds and determined the direction of indie music for many years to come.

‘Come Together: Adventures on the Indie Dancefloor 1989-1992’ Celebrates Madchester

‘Come Together: Adventures on the Indie Dancefloor 1989-1992’ Celebrates Madchester

Full of gems from the Happy Mondays, the Charlatans, the Stone Roses, and many lesser-known acts, this massive Madchester retrospective leaves surprisingly few holes.

The Dare’s ‘The Sex EP’ Wants You to Have a Really Good Time

The Dare’s ‘The Sex EP’ Wants You to Have a Really Good Time

The Dare’s mission is urgent, as simple as breathing. Have a good time – a stupid good time – like your life depends on it. Because it literally does.

Talking Heads’ ‘Speaking in Tongues’ at 40

Talking Heads’ ‘Speaking in Tongues’ at 40

Speaking in Tongues captures Talking Heads at the zenith of their funk freakout and just before a big gray suit would change everything. It’s an art-pop funk masterpiece.

A Certain Ratio Move the Past Into the Future with ‘1982’

A Certain Ratio Move the Past Into the Future with ‘1982’

A Certain Ratio have always been willing to fiddle with their sound. That they do so in 1982 doesn’t surprise and fits with their rejuvenation in the 2020s.

We Are Scientists Add 1980s Synths to Their Power Pop on ‘Lobes’

We Are Scientists Add 1980s Synths to Their Power Pop on ‘Lobes’

We Are Scientists’ Lobes is notable for building its songs specifically around keyboard lines and exploration of 1980s-style synth tones.

The Orielles Break Old Patterns with a Film and a Card Deck

The Orielles Break Old Patterns with a Film and a Card Deck

From releasing films as a band to using Brian Eno’s card deck to help guide the sound of their epic new double-LP, the Orielles remain as indescribable as ever.

The B-52’s and Their Unique First Album (Between the Grooves)

The B-52’s and Their Unique First Album (Between the Grooves)

We dance this mess around, get out our lava lamps, and explore why the B-52’s 1979 debut album is one of the best pop records ever made.

A Labyrinthine Conversation with Destroyer’s Dan Bejar

A Labyrinthine Conversation with Destroyer’s Dan Bejar

Destroyer’s Dan Bejar discusses the making of the band’s stellar new record LABYRINTHITIS while looking back to his past and forward to what might come next.

The Case for Eurythmics’ Induction into the Rock and Roll Hall of Fame

The Case for Eurythmics’ Induction into the Rock and Roll Hall of Fame

Very few of their peers surpass Eurythmics in terms of artistic vision, musicianship, songwriting, and creative audacity. This is the history of the seminal new wave group.