If you want lessons in womanizing, dressing to the nines, or ordering martinis, James Bond is your man. If, however, you’re looking for a review of British music history over the last 50 years, the world’s favorite secret agent has no idea what he’s doing.
Sam Mendes’ tough, relationship-focused Bond film is really about leadership in extremis, with towering and isolated icons fighting tooth-and-nail to keep society together amidst the growing chaos of modernity.
While the James Bond film franchise remains one of the most acclaimed, successful, recognizable and marketable movie series in history, there was a time when the mighty Mister Bond had some stiff competition at the box office: himself.
Everyone bemoans the remake, the bastardization of their memories, of something they hold dear. But times are constantly shifting, and our heroes cannot exist in a static universe. Without proper reinterpretation, would our pop icons still be relevant?
Now that The Artist gave the Golden Globes a distinctly French flavor, and Meryl Streep fueled the controversy in the British camp, a simultaneous rapprochement and tension defines the relationship between the European and American film industry.
A lot of production, distribution, and marketing companies spent a lot of time and a lot of money to air ads for movies that are six months away. Which ones will make them a lot of money instead of costing exactly that?