John Bence Turns to His ‘Archangels’ for Detoxification
John Bence’s Archangels has got to be one of the quietest new albums. He’s conjured a storm’s eye, making it a fascinating aesthetic contradiction.
John Bence’s Archangels has got to be one of the quietest new albums. He’s conjured a storm’s eye, making it a fascinating aesthetic contradiction.
The Faded Orbit is the music of sound, a storm of possibilities curated by Siavash Amini and Saffronkeira. Eerie sounds that move in an intoxicatingly musical way.
The master of moodiness Tor Lundvall returns with Beautiful Illusions, a sad but sometimes gorgeous collection of breathless ambient wallowing.
Insect Ark is Dana Schechter’s solo project again and the focus is no longer on heavy music but on dark ambient atmospherics for the new EP, Future Fossils.
Dana Schechter reverts Insect Ark to their solo form, leaving behind the psychedelic rock structures for a dark ambient detour.
Penelope Three is not a pop record, but it is Penelope Trappes’ boldest, most straightforward work to date. On Three, Trappes holds nothing back.
Sceneries come and go, landscapes evolve, and time loses its meaning through the passages of Lustmord and Karin Park’s Alter.
Lustmord & Park’s Alter descends into the dark ambient abyss without forgetting minimal music’s ethereal nature. Hear it a day early.
Scorn’s new LP adds to the foundation Mick Harris built 30 years ago. We spoke with Mick Harris, Kool Keith, and Submerged about how their universes collided.
Animated Matter's debut Selkie sports alternately lush and minimal, buoyant and chthonic, soundscapes that conjure archetypal themes and evoke complex emotional responses.
While the field of dark ambient is an increasingly crowded one, Massimo Pupillo has crafted a remarkable entry with The Black Iron Prison.
Chicago-based cellist, Alison Chesley (a.k.a. Helen Money) creates an utterly riveting listen from beginning to end on Atomic.