Lingua Ignota's second full-length CALIGULA continues her blend of opera, neoclassical darkwave, and death industrial. She transforms shattering lamentations into empowered declarations against misogyny, while also complicating the dominant narratives of women's trauma.
On Hata Payı, Jakuzi tackles inward shadows: heartbreak, depression, nihilism. It's bleak. It's indulgent. It's good, solid, crowd-pleasing misery, and who doesn't want a hit of that from time to time?
Much as their namesake, Esben and the Witch evoke a stunning musical versatility and lyrical fervor. Nowhere is a mesmerizing musical experience enshrining the interplay between the primal and the pristine.