Skip to content
PopMatters

PopMatters

Essaying the pop culture that matters since 1999

Primary Menu
  • Features
  • Reviews
  • Lists
  • Music
  • Film
  • TV
  • Books
  • Interviews
  • Picks
  • Donate
  • profile-icon
    • Log In
    • Registration
    • Logout
    • Account

david paymer

Featured: Top of Home Page/Features/Film

Summer of Same: May 2009

By
Bill Gibron
/ 26 April 2009
Featured: Top of Home Page/Film/Reviews

Resurrecting the Champ

By
Marc Calderaro
/ 23 April 2008
Featured: Top of Home Page/Film/Reviews

Resurrecting the Champ

By
Cynthia Fuchs
/ 24 August 2007
Featured: Top of Home Page/Features/Film

Monkey Business (Part 2: June)

By
Bill Gibron
/ 1 May 2007
Featured: Top of Home Page/Film/PopMatters Picks/Reviews

In Good Company (2004)

By
Cynthia Fuchs
/ 14 January 2005
Featured: Top of Home Page/PopMatters Picks/Reviews/Television

Line of Fire

By
PopMatters Staff
/ 8 December 2003
Featured: Top of Home Page/Film/PopMatters Picks/Reviews

Alex & Emma (2003)

By
Cynthia Fuchs
/ 19 June 2003
Featured: Top of Home Page/Film/PopMatters Picks/Reviews

Bartleby (2001)

By
PopMatters Staff
/ 30 May 2002
Featured: Top of Home Page/Film/PopMatters Picks/Reviews

Focus (2001)

By
PopMatters Staff
/ 18 October 2001

Follow PopMatters

FacebookTwitterBluesky
SpotifyInstagramThreads

RECENT

  • How the Beatles Hindered American Folk Music
  • Mothra Is Luminous as an Icon of Soft Power and Femininity
  • Girls Against Boys’ Scott McCloud Discusses Conversations
  • Sonetos del Amor Oscuro Brilliantly Set Lorca to Music
  • The 25 Best Space Disco Songs of 1976-1986
  • Sassy 009 Explores How Dreams, Identity and Memory Intertwine
  • Magic Fig Successfully Blend Prog- and Pysch-Rock
  • ‘Tron’ Is ‘Hellraiser’ for the Whole Family

Follow PopMatters

FacebookTwitterBluesky
SpotifyInstagramThreads

About

  • Masthead
  • Submission Guidelines
  • Mission

Follow Us

  • Facebook
  • X
  • Bluesky
  • Spotify
  • Instagram
  • Threads
© 1999-2025 PopMatters LLC. All rights reserved. PopMatters is wholly independent, women-owned and operated.