Music
Shame Are an Unstoppable Force on 'Drunk Tank Pink'
Shame's Drunk Tank Pink emphasizes something that's become even rarer than a rock star: a legitimately exciting band.
25 Jan 2021
Shame's Drunk Tank Pink emphasizes something that's become even rarer than a rock star: a legitimately exciting band.
At 25, Phoebe Bridgers is, by all metrics, an artist at the beginning of her career, though Punisher sounds more like the work of a time-tested veteran perfecting a style she's been honing for years.
Texas artists Leon Bridges and Khruangbin create some mellow, cosmic soul on a delightful EP that shows off their respective strengths.
One of Britain's most underrated singer-songwriters is going from strength to strength in his 70s. As ever, Bill Fay focuses on the search for meaning and substance in everyday life.
If Khruangbin's Con Todo El Mundo was a sweltering Texas night drive, then Hasta El Cielo is a beachfront sunset. No longer on the attack, Khruangbin relax at last.
Bleached's Don't You Think You've Had Enough? is a summer record with big sing-along power pop songs that deliver.
The dive bars of Nashville inspire indie rocker Alex Lahey on her sophomore record, The Best of Luck Club.
Kevin Morby's Oh My God is a stunning high-wire act of high-concept and deep-rooted rock and roll at the same time.
Strand of Oaks' new album Eraserland is going directly for the stomach. It's about career worries. It's about aging. Basically, it's about all the insecurities.
American Love Call takes Durand Jones and the Indications to new heights of musicianship, and it turns out that they are, indeed, much stronger the more they work together.
Mitski argues on Be the Cowboy that we are meant to be emotional people, and that being strong and independent often leads to loneliness.
Attempting a bold departure from the English folk style, Ryley Walker and his pickup band's pseudo-jazz flourishes and prog-jam pretentions drift in search of a destination.
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