
‘Things in Nature Merely Grow’ Tackles Death Differently
Yiyun Li’s beautiful and complex autobiography Things in Nature Merely Grow is not about death or loss; it is about who we become when we lose.

Yiyun Li’s beautiful and complex autobiography Things in Nature Merely Grow is not about death or loss; it is about who we become when we lose.

David Cronenberg’s The Shrouds harkens back to his early body horror obsessions with a poet’s tone, retaining the connective tissue that embodies him.

In Bodies: Life and Death in Music, critic Ian Winwood chronicles the wreckage of a reckless industry and wonders if there is another way.

As the COVID-19 pandemic upends our families, communities, and way of life, children, especially, struggle with loss. Rachel Shukert's Netflix series, The Baby-Sitters Club can help.

Maggie O'Farrell's I Am, I Am, I Am is a unique twist on the memoir, framed by 17 stories of harrowing near-misses.

Somehow, without realizing it, for both DeLillo and Rowling, death, the end of the world, and endings themselves are best emblematized by a dysfunctional father/son relationship.

What does it mean when our stories and our characters, unlike our lives, refuse to come to an end?

Hunt turns the domestic inside out to find the supernatural lurking within.

Those on the journey -- from initial mourning to grieving (finite or long-term) -- must have a guide.

