Fire-Toolz’s ‘Breeze’ Dares to Imagine Joy Within Chaos
It’s a rare artist indeed who can turn tools for expressing existential dread toward a grateful appreciation of life, but Fire-Toolz accomplishes this on Breeze.
It’s a rare artist indeed who can turn tools for expressing existential dread toward a grateful appreciation of life, but Fire-Toolz accomplishes this on Breeze.
Horrendous have returned refreshed and once again intent on twisting death metal into new forms on their daring LP, Ontological Mysterium.
Metal’s Imperial Triumphant create a type of fusion that marries black/death metal with jazz from across its history. The band discuss their favorite jazz LPs.
Like the death and black metal bands it includes, John Wray’s novel Gone to the Wolves is a full-on assault on the senses that doesn’t hold back.
Chat Pile’s full-length debut God’s Country is a grim yet thrilling soundtrack to American decline, drawing on heavy traditions from nu-metal to slasher films.
Here we are with the September crop of the best heavy music, featuring everything across the board from extreme metal to noise and post-rock.
Slipknot’s boundary-pushing second album Iowa changed the trajectory of heavy music 20 years ago. Its influence rings through many corners of the metal scene.
French metal quartet Gojira introduce new wrinkles in their sound on Fortitude without abandoning their origins.
Filled with venomous riffs, a cold-detached precision, and a sharp dissonant edge, Decoherence’s System I is a haunting work of extravagant black metal.
Cannibal Corpse have always exploited violence while doggedly refusing to contemplate what it means. Violence Unimagined thrills nonetheless.
In a month of epic returns, Cult of Luna reinvigorate the post-metal flames, The Ruins of Beverast plunge to their blackened sludge depths and Emptiness take a hard post-punk turn.
Grindcore institution Napalm Death finally reconcile their experimental side with their ultra-harsh roots on Throes of Joy in the Jaws of Defeatism.