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Considering the Legacy of Deerhoof with Greg Saunier

Working in different cities, recording parts as MP3s, and stitching them together, Deerhoof once again show total disregard for the very concept of genre with their latest, Future Teenage Cave Artists.

                                      
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Working in different cities, recording parts as MP3s, and stitching them together, Deerhoof once again show total disregard for the very concept of genre with their latest, Future Teenage Cave Artists.

The new vinyl release from the always-reliable Deerhoof doesn't disappoint. Bring ear plugs.

Deerhoof's 12th album channels the band's musical chops toward sharp political critique while retaining moments of whimsical release.

Deerhoof's 12th album is an energy-pop bullet train fuelled by a surprising, newfound consistency.

Ready for another playlist with background notes for music by Cat Power, Stars, Deerhoof and more.

Just what the (witch) doctor ordered: a real chance to let loose. Tune in, turn on, drop doubt that good music will prevail.

With the release of Deerhoof vs Evil, Deerhoof continues on its merry way, making music that is gloriously idiosyncratic and accessible. Guitarist John Dieterich talks about the new album, his musical frustrations, and a love for Brazilian music.

Saturday is the third annual Record Store Day, and to celebrate, PopMatters caught up with Deerhoof mastermind Greg Saunier about the re-releases the band is putting out for RSD, the revival of the MIDI format, and feeling like a king in Russia ...

Almost two weeks ago Yoko Ono and her Plastic Ono Band lead off the 2010 Noise Pop festival with a performance at the Fox Theater in Oakland.

Though the band has been steadily gaining followers, they still hover on the outskirts of mass appeal, and their fans appreciate such fringes.

The latest from Regan Farquhar would be a train wreck in the hands of a lesser man. Instead, fans are treated to another dose of verbal head-trip conscious rap with a side of phat.

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Deerhoof is as strangely consistent as they are consistently strange. Offend Maggie continues an extraordinary winning streak that began with 2002's Reveille.

The world is better for every new pair of ears that gets turned on to Of Montreal and Ted Leo. The only real question is this: do you really need this album to begin with?

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In the wake of the shark-fighting cowboys, the animal doth emerge...

Shin Splints, Arachnogasmic Musicals, and a regrettable lack of hooves.

Deerhoof hones its formal experiments. Everybody wins!"

Would-be No-wavers refuse to be pigeonholed with this surprisingly enjoyable, and endlessly inventive EP.

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This album evades a raking over my coals because of the brilliant title track, which keeps me listening, and because as an art-rock quartet they've generated some great background music here.

Apple O' is a wonderful album by a band that's created an entirely unique noise out of old Shaggs LP's and the San Francisco fog.

Deerhoof are scary. What they have done on their latest release, Reveille, is reimagine the "Dies Irae" as populated by little furry things.

Deerhoof doesn't sound like a band that you would drive 40 miles on country roads to hear.