
It’s Funny How Complicated Coexistence Can Be
Activist-cum-stand-up comedian Noam Shuster-Eliassi documentary Coexistence, My Ass! makes it painfully clear how complicatedly funny/not-funny coexistence can be.

Activist-cum-stand-up comedian Noam Shuster-Eliassi documentary Coexistence, My Ass! makes it painfully clear how complicatedly funny/not-funny coexistence can be.

Peter Vack’s candy-colored RachelOrmont dares the squeamish to reckon with the schizoid darkness happening on cellphones all around them.

Filmmaker G Chesler considers the importance of making a film about the traumatic COVID-19 shutdown as experienced by the trans community in the US.

Director Alfonso Maiorana talks about music pioneer Ellen McIlwaine, who raised the power and profile of female musicians, and how she achieved her hard-earned “goddess” status.
Filmmaking should be carnivorous, made from “the flesh of the actors” says French provocateur Catherine Breilla as she discusses her thriller, Last Summer.
Following Aporia’s world premiere at Fantasia, director Jared Moshé talks about leaving his audience grappling with moral ambiguity.
Director Rebecca Zlotowski talks with PopMatters about her most autobiographical film to date, Other People’s Children, which has a “whiff” of Claude Sautet about it.
Singing the Cape Verde blues known as “morna”, the world-renowned Cesária Évora sang in local Creole to a slow tempo reflecting a melancholy state of mind. Her gentle, lulling timbre recounts some of the darkest moments of the volcanic island.
French-American composer, painter, and film director Pierre Földes talks about his unbridled animated adaptation of Haruki Murakami’s stories, Blind Willow, Sleeping Woman.
Director Sharon ‘Rocky’ Roggio discusses her documentary, 1946: The Mistranslation That Shifted Culture, and how the Bible has been weaponised against the LGBTQIA+ community.
Director Antoneta Kusijanovic discusses honouring the resilient spirit of young adults in her award-winning debut feature Murina.