Film Should Not Be a Story: Interview with Director Lucrecia Martel
Good film, like good literature and theatre, is not escapism. Director Lucrecia Martel’s work intentionally subverts the act of turning a blind eye.
Good film, like good literature and theatre, is not escapism. Director Lucrecia Martel’s work intentionally subverts the act of turning a blind eye.
Director Yorgos Lanthimos discusses Killing of a Sacred Deer, in which he deliberately cultivates a skewed impression of everyday and cinematic realism.
In this interview with director Ira Sachs, he talks about his latest drama, Little Men, gentrification, and discouraging his young lead from pursuing an acting career.
With Victoria, director Sebastian Schipper has created a single-take marvel that has won awards, invigorated young audiences, and is finally hitting Stateside.
Provocative filmmaker Ruben Östlund talks about Force Majeure, the story of a crumbling marriage on avalanche-prone, icy slopes.
There is a strange magic in director Ira Sachs’ latest romance, Love Is Strange. Not least the magic between stars John Lithgow and Alfred Molina.
In this interview with Pedro Almodóvar about his comedy, I’m So Excited, he considers how its political message is received by different audiences.
Filmmaker Sarah Polley talks with PopMatters about marriages and memories and The Stories We Tell.