director spotlight: alfred hitchcock

Tea and Scones Suspense: Hitchcock’s “English” Movies of the Early 1940s

Tea and Scones Suspense: Hitchcock’s “English” Movies of the Early 1940s

Although Hitchcock left Great Britain for the United States in 1939, his first two films -- Rebecca (1940) and Suspicion (1941) -- nonetheless remained set firmly in English culture. His depictions helped craft perceptions of English life for decades to come.

Stop Laughing: A Difference of Laughter Between British and American Hitchcock

Stop Laughing: A Difference of Laughter Between British and American Hitchcock

While Alfred Hitchcock is famous for the humor that he injected into his thrillers, there are striking differences in the humor between his British and American periods.

Hitchcock 101: 1935-1938 – ‘The 39 Steps’ to ‘The Lady Vanishes’

Hitchcock 101: 1935-1938 – ‘The 39 Steps’ to ‘The Lady Vanishes’

In Day Two of our Director Spotlight series on the Master of Suspense, we revisit the four strongest films of Alfred Hitchcock’s British period.

Alfred Hitchcock’s ‘Psycho’ Is the Mother of All Horrors

Alfred Hitchcock’s ‘Psycho’ Is the Mother of All Horrors

Psycho stands out not only for being one of Alfred Hitchcock's greatest films, it is also one of his most influential. It has been a template and source material for an almost endless succession of later horror films, making it appropriate to identify it as the mother of all horror films.

Hitchcock 101: 1927 – 1934 – ‘The Lodger’ to ‘The Man Who Knew Too Much’

Hitchcock 101: 1927 – 1934 – ‘The Lodger’ to ‘The Man Who Knew Too Much’

In today's installment of our retrospective survey of Alfred Hitchcock's singular career, we revisit his first major statements. Thrillingly, all of Hitchcock's trademark themes and signature moves are visible in these early masterpieces -- an uncanny talent, Hitch arrived, it would seem, fully formed.

Director Spotlight: Alfred Hitchcock

Director Spotlight: Alfred Hitchcock

Alfred Hitchcock helped to create the modern horror genre, the modern thriller, and the modern black comedy. He changed film, even as he was inventing new ways to approach it. Stay tuned through October as we present our collection of essays on the Master of Suspense.

Get Out of the Shower!: The Shower Scene and Hitchcock’s Narrative Style in ‘Psycho’

Get Out of the Shower!: The Shower Scene and Hitchcock’s Narrative Style in ‘Psycho’

In Psycho, Alfred Hitchcock subverts the narrative expectations laid out in the early parts, producing something very different from the suspense film that we anticipate.