Reissue label Light in the Attic follows up last year's Japanese musical excursion with another collection, Pacific Breeze 2, that's sure to please lovers of international retro-pop.
With Star Trek: Picard and Space Force in the news, it's time to revisit the best space disco of the original era. These 25 songs feature outer space on the dance floor, from the avant-garde to Star Wars commercialism and beyond.
Soul Jazz packs an impressive range of vintage sounds into an expanded release of Nigeria Soul Power 70.
A new three-disc box set gives listeners a convenient way to collect all of Harold Melvin & the Blue Notes' Philadelphia International albums. That is, if you don't own them by now.
Five albums from 1976-1981 on a three-CD box set reveal the underappreciated talents of the Emotions, three Chicago sisters with a sophisticated R&B/disco sound. The group is well overdue for newfound appreciation as their sound has influenced contemporary pop more than one realizes.
Dance-punk band, !!! darken the edges of their sound and look beyond the dancefloor on Wallop. It's one of the group's most consistently interesting and cohesive albums to date.
Jazz composer and R&B artist Patrice Rushen talks about how she fought for control of her music and her career in the late 1970s at Elektra -- and produced an extraordinary run of jazz-R&B-disco hybrid albums that the industry wasn't quite ready for.
Lebanese composer Ziad Rahbani's disco masterpiece "Abu Ali" is well deserving of its Record Store Day reissue.
On the eve of premiering her new single "ISLY (I Still Love You)", soul legend Thelma Houston revisits her landmark debut for Motown's boutique label, MoWest.
In 1981, Johnny Mathis cut an album with the Chic Organization. Columbia Records got cold feet and the project was vaulted for nearly four decades. Mathis talks to PopMatters about the missing piece that's finally been made part of his official discography.
In this PopMatters exclusive, legendary Motown songwriter/producer Valerie Simpson and the musicians behind The Boss recall how Ashford & Simpson brought Diana Ross back to number one.
As a platform for further discussion and as a funky, hip shaking, unifying electronic album, Jayda G's Significant Changes is a triumph.
Doko Mien highlights Ibibio Sound Machine's versatility as the group continues to bring Lagos and London together in new ways.
Fifty years after leaving Honolulu for London, Yvonne Elliman retraces the road from Hawaii to Jesus Christ Superstar and Saturday Night Fever ... and back again.
SPELLLING's 'Mazy Fly' Revels in a Celestial Imagination, a Consciousness in Accordance with Afrofuturism and Wake Work
SPELLLING's second full-length Mazy Fly escapes present genres and ages, from witching primeval ballads, sultry alternative R&B, to intergalactic disco. Simply, it's celestial, Afrofuturist, and wake work.
You've danced to Sister Sledge's joyful "We Are Family" at high school dances and gay -- and straight -- weddings. Kathy Sledge revisits the iconic song with James Earl Hardy.
From her very first vinyl release to her Legends of Vinyl (L.O.V.) Hall of Fame induction, former CHIC vocalist Alfa Anderson celebrates a year of solo triumphs.
With For Discos Only, Craft Recordings have created a multi-disc mirrorball extravangza that simply cannot be beat in terms of groovy fun.
Linda Clifford's four late 1970s albums showcase her range, even if they don't stand out from the life-after-disco scene.
Dur-Dur Band continues to be one of the most transfixing East African pop groups of the 1980s, and this release is a stellar collection of even more gems.
From "Love in C Minor" to "Supernature", legendary drummer and producer Marc Cerrone recalls the classic recordings that propelled him to the forefront of disco and beyond.
Original Ritchie Family members Cassandra Wooten, Cheryl Mason-Dorman, and Gwendolyn Wesley, plus Philly soul songwriter Phil Hurtt, reflect on African Queens (1977), the trio's chart-topping homage to Nefertiti, Cleopatra, and the Queen of Sheba.
With dazzle, flair, and "all that jazz", Songwriters Hall of Fame legend Valerie Simpson makes her Broadway debut as Matron "Mama" Morton in Chicago: The Musical.