
Who and What Pop Music Is for Is ‘Mighty Real’
Barry Walters’ Mighty Real is 30 glorious years of music that can be “read as a metaphor of LGBTQ existence”, regardless of who created it.

Barry Walters’ Mighty Real is 30 glorious years of music that can be “read as a metaphor of LGBTQ existence”, regardless of who created it.

In creating a sequel to a revival album, Madonna’s Confessions II reinforces the notion that the best we can hope for from our pop matriarchs is nostalgia.

Ayam El Disco celebrates and beautifully frames some of the music that kept people stepping lively in Egypt during the 1970s, 1980s, and even the 1990s.

Jessie Ware is hornier on Superbloom than its predecessors, and that alone makes it more assertive. It’s quite possibly her gayest record yet.

Bruno Mars’ fourth solo album, The Romantic, is as impeccably crafted as ever, but says nothing new about his place in the world of pop.

These 25 songs feature outer space on the dance floor, from the avant-garde to Star Wars commercialism and beyond.

Dua Lipa knows that what makes a diva special is her willingness to feel. She emotes for the rest of us on "Break My Heart".

Thirty years on, Michael Jackson’s HIStory: Past, Present and Future, Book I is among the most ambitious and personal pop statements of the 1990s, born from pressure, transformed into autobiography, and forever in our History.

In conversation, jazz singer José James is literate and a good listener, clearly excited about connecting music to politics, culture, and history.

Releases like this from Eli Roth rescue the laudable works of underappreciated musicians from obscurity. They also help broaden the aural palates of listeners.

Norway’s Ora the Molecule uses disco to explore grief in Dance Therapy. It’s the most accessible avant-garde disco pop concept album you’ll hear this year.

Lady Gaga’s Mayhem shines a glaring spotlight on a wildly creative artist who finds herself behind the times, following trends instead of setting them and seeming out of step.