This year's 'digital edition' of Human Rights Watch's consistently engaging and enraging collection of documentaries is at its best when spotlighting the activists fighting to make humanity more human.
Gary Hustwit's films are linked by a concern with the role of design in what people do everyday, largely as part of the little-thought-about background to daily life, particularly in cities and in the postindustrial consumer societies of North America, Europe, and East Asia.
The opening argument in the film is that the “Rem Koolhaas” the viewer knows, the singular genius of media accounts, especially in America, is a convenient signifier that masks another “Rem Koolhaas”, one who is not singular, but plural, a walking composition of influences, ideas, theories and collaborations.
If hip-hop is an art, or a larger entity such as a culture, then we must be able to assess it. No body survives unchecked, so what sets hip-hop apart? As its producers and participants, fans and Stans, we must be able to navigate conversations about our actions.