Arwen Curry's documentary, Worlds of Ursula K. Le Guin, shows how, in Le Guin's writings, fantasy can be viewed as both a different way of seeing and understanding the past, and a new way of seeing the present -- and what the future could be.
One way to understand the form of Walther Ruttmann's Berlin, Symphony of a Great City, is to see it as producing states of flow that reinforce a flat ontology among humans, animals, machines, buildings, bodies of water, etc.
Hillbilly provides a cogent analysis of the connection between the United States' cultural supremacy over its own Appalachian region, and the nation's resultant economic and political exploitation of it.
In this interview with Director Alexandria Bombach centered on her recent documentary about Nadia Murad, On Her Shoulders, she reflects on how we process another's trauma, and how we might be moved beyond simply awareness.
Breaking away from Election 2016 diatribes, Director Frederick Wiseman visually acknowledges Monrovia, Indiana as a tranquil working-class Eden, while still rendering a subtly powerful critique of small town America.
RaMell Ross's melange of visuals capture the elucidative intersections between religion and poverty; between life as seen from a child's eyes, and as from those of a young adult; between the present and a horrific history still breathing through America.