Oren Jacoby's richly illustrated documentary on the ups and downs of modern Broadway, On Broadway, is all celebrations and no questions. Whether that's a problem depends on your level of theater mania.
Starting as a personal look at the damages wrought by decades of China's one-child policy, One Child Nation exposes a deeper, baser level of national corruption.
For director Oliver Murray, music exists in the air, but the emotional archives of former Rolling Stones bassist Bill Wyman gives viewers a tactile experience of this band's story in The Quiet One.
There's some mystery about the quietly conscientious artist and pioneer F. Percy Smith, and Minute Bodies can't penetrate it as easily as he revealed the hidden life of plants.
In Rolling Thunder Revue: A Bob Dylan Story, a cinematic genius and a Nobel Prize-winning musical icon pair for a magical and purposefully deceptive look at rock 'n' roll life in the mid-'70s.
Documentary director and producer Ryan White discusses the analogy of musical chairs and how it relates to the filmmaking process, including in his latest about America's famous sex therapist, Dr. Ruth Westheimer.
Director Rock Baijnauth talks with PopMatters about spending time with Barista Champions and their pursuit of coffee perfection for his latest documentary, Baristas.
João Moreira Salles's melancholic documentary, In the Intense Now (No Intenso Agora) stitches together amateur footage of the riots of 1968 to create a riveting rumination on the glee and disillusionment of idealism.
Documentarian Penny Lane challenges you to leave behind your preconceptions and give the Devil his due in this irreverent, entertaining look at the Satanic Temple, Hail Satan?
Flicker Alley restores Cinerama travelogue spectacles The Golden Head and Flying Clipper.
In Combat Obscura, a jangled, jarring Afghan War documentary, a Marine Corps cameraman shows the flippant cynicism of combat in ways the military would rather we not think about.
Charlie Curran, the young director of the documentary See Know Evil, discusses the importance of telling the story of the equally young '90s fashion photographer phenomenon, Davide Sorrenti.
To say young people's identities are tied up in social media would be a failure to recognize that the digital is now intrinsically part of the real, as evidenced in the documentary, Social Animals.
Travis Wilkerson's essay film, Did You Wonder Who Fired the Gun? is stubbornly inward-looking, especially considering its subject matter of white on black violence in America.
Arwen Curry's documentary, Worlds of Ursula K. Le Guin, shows how, in Le Guin's writings, fantasy can be viewed as both a different way of seeing and understanding the past, and a new way of seeing the present -- and what the future could be.
Richard Tognetti reflects on synergising music and film with the cello-like voice of narrator Willem Dafoe in his work for Jennifer Peedom's gorgeous documentary, Mountain.
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