Jean-Gabriel Périot's documentary on the rise and fall of Germany's radical Red Army Faction (RAF), A German Youth, warns how each generation's sins can evoke violent trauma amongst its progeny.
In Citizen K, director Alex Gibney refrains from judging his imperfect protagonist, exiled Russian oligarch business man and political philanthropist, Mikhail Borisovich Khodorkovsky.
Oren Jacoby's richly illustrated documentary on the ups and downs of modern Broadway, On Broadway, is all celebrations and no questions. Whether that's a problem depends on your level of theater mania.
Starting as a personal look at the damages wrought by decades of China's one-child policy, One Child Nation exposes a deeper, baser level of national corruption.
For director Oliver Murray, music exists in the air, but the emotional archives of former Rolling Stones bassist Bill Wyman gives viewers a tactile experience of this band's story in The Quiet One.
There's some mystery about the quietly conscientious artist and pioneer F. Percy Smith, and Minute Bodies can't penetrate it as easily as he revealed the hidden life of plants.
Documentary director and producer Ryan White discusses the analogy of musical chairs and how it relates to the filmmaking process, including in his latest about America's famous sex therapist, Dr. Ruth Westheimer.
Director Rock Baijnauth talks with PopMatters about spending time with Barista Champions and their pursuit of coffee perfection for his latest documentary, Baristas.
João Moreira Salles's melancholic documentary, In the Intense Now (No Intenso Agora) stitches together amateur footage of the riots of 1968 to create a riveting rumination on the glee and disillusionment of idealism.
Charlie Curran, the young director of the documentary See Know Evil, discusses the importance of telling the story of the equally young '90s fashion photographer phenomenon, Davide Sorrenti.
To say young people's identities are tied up in social media would be a failure to recognize that the digital is now intrinsically part of the real, as evidenced in the documentary, Social Animals.
Travis Wilkerson's essay film, Did You Wonder Who Fired the Gun? is stubbornly inward-looking, especially considering its subject matter of white on black violence in America.
Arwen Curry's documentary, Worlds of Ursula K. Le Guin, shows how, in Le Guin's writings, fantasy can be viewed as both a different way of seeing and understanding the past, and a new way of seeing the present -- and what the future could be.
The Allure of 'Mountain': An Interview with Artistic Director of the Australian Chamber Orchestra, Richard Tognetti
Richard Tognetti reflects on synergising music and film with the cello-like voice of narrator Willem Dafoe in his work for Jennifer Peedom's gorgeous documentary, Mountain.
One way to understand the form of Walther Ruttmann's Berlin, Symphony of a Great City, is to see it as producing states of flow that reinforce a flat ontology among humans, animals, machines, buildings, bodies of water, etc.
The new documentary by Steven Loveridge, Matangi/Maya/M.I.A., is an imperfect homage to the talents of its star, albeit with brief moments of fascinating inquiry at its center.
Hillbilly provides a cogent analysis of the connection between the United States' cultural supremacy over its own Appalachian region, and the nation's resultant economic and political exploitation of it.
The third in this critical environmental series, Anthropocene represents a significant departure from Manufactured Landscapes and Watermark.
Unlike most rock festivals that came before it, the US Festival in 1982 was unique and at times groundbreaking.
In this interview with Director Alexandria Bombach centered on her recent documentary about Nadia Murad, On Her Shoulders, she reflects on how we process another's trauma, and how we might be moved beyond simply awareness.
Folk horror, hauntology, and archive footage combine to form an unsettling portrait of rural Britain.
Breaking away from Election 2016 diatribes, Director Frederick Wiseman visually acknowledges Monrovia, Indiana as a tranquil working-class Eden, while still rendering a subtly powerful critique of small town America.
RaMell Ross's melange of visuals capture the elucidative intersections between religion and poverty; between life as seen from a child's eyes, and as from those of a young adult; between the present and a horrific history still breathing through America.
The Cove enraged many an animal activist in 2009, but Megumi Sasaki offers an unbiased look at the controversy of whaling and dolphin hunting in the Japanese town of Taiji.
This important post-war film documents its convulsive recent past, ties it into a contemporary scene that we often forget was almost as convulsive and finally, unwittingly, links itself to still roiling convulsions of the film's distant future.
In this interview with documentary maker Phil Cox and producer Giovanna Stoppani, we learn how they made a film about an artist in absolute solitude, funk and soul singer Betty Davis.
Your Life, Their Hands: Interview with Activist Documentarians Kirby Dick and Amy Ziering on 'The Bleeding Edge'
The makers of The Bleeding Edge on activist filmmaking, the dangers of medical deregulation, and Netflix as a platform for progressive filmmakers.
Our work on this Earth, Rogers insists, is Tikkun Olam (repairing the world). So why does Morgan Neville shut down the possibility of queerness in his documentary?
The people of Montana worked together to fight against the monetary and political damage caused by Citizen United. Reed's film documents that fight, and she talks with PopMatters about what that took, and what we, as citizens throughout America, must do next.