The status quo of the past 30 years facilitated a massive transfer in wealth and public resources away from the average American and into the hands of a wealthy minority; a radical coup if ever there was one. Yet it was achieved democratically. A response to Madeleine Albright's Fascism: A Warning.
As discussed with PopMatters, in Believe Me: The Evangelical Road to Donald Trump, Fea finds long roots in answering his questions, but he clears a path forward, too.
"We are all Rachel Dolezal": on Asad Haider's 'Mistaken Identity: Race and Class in the Age of Trump'
Among other critiques of identity politics, Haider believes that we each can slip between identities at will. Indeed, it's a universal human condition.
A sense of bitterness remains for those of us mourning the loss of this final great literary lion of the 20th century.
Get Out's Sunken Place is not at a distant location -- it subsists and persists in the here and now. Kanye West, Kim Kardashian and Bill Cosby should know this.
These hard-hitting investigative reporters deliver the last (for this month, at least) word on Trump's mysterious infatuation with Putin.
Jenkins, founder of One Peoples Project, tells PopMatters that contrary to the fear many Americans feel, it's actually life-affirming to talk about fascism and racism.
With the recent release of Bad Stories: What the Hell Just Happened to Our Country, Steve Almond talks in-depth about the US president whom most parents wouldn't even let on the playground -- and about his beef with the American left.
The return of Roseanne brings with it some complicated political baggage -- and it brings Dan Connor back from the dead.
Beginning 11 February, Stephen Colbert will expand his satirical franchise with Our Cartoon President, an animated series lampooning the colorful personalities, complicated relationships and nonstop controversies of the Trump administration.
Deft and crude, Michael Wolff's gossipy Trump Administration rip-and-read tells us what we already know—America is led by a mendacious man-child surrounded by dishonorable lackeys—but in a pungent style that makes it resonate.
"We sometimes project our problems onto sports," Louisa Thomas notes. "But sports can also be ... where we start to work them out."
Wars of attrition are a matter of stamina, of who has the most tools with which to keep fighting. A surprising common tool in this collection? Humor.
The Unquotable Trump is a devious, dark, disturbing, brilliant delight that will prove the standard bearer for texts from the resistance.
Alec Baldwin and Kurt Andersen present a rushed "meal" stuffed with random ingredients and served to a public that's still digesting the appetizer.