Nazis and Racial and Sexual Subtexts in ‘Revenge of the Zombies’
Revenge of the Zombies stands at the axis of Nazis, race relations and feminism in a mishmash of wartime themes under an immigrant director.
drama
All Things Reconsidered/Featured: Top of Home Page/Features/Film/Film Feature/Pop Past/Pop Past Film
Wherever You Go, There You Are: ‘Interstellar’ at 10 Resonates
Although it aims to portray humanity’s future, sci-fi film Interstellar‘s message – that our greatest asset and liability is ourselves – resonates in our times.
When Sessue Hayakawa Took Hollywood by Smoldering Storm
Sessue Hayakawa was the first Asian male star in Hollywood, became a “foreign” silent film sex symbol, and ran his own company while the “natives” remained uptight.
‘Slow Horses: Season Four’ Subverts the Spy Genre
The good, the bad, and the ugly dance to Slow Horses‘ strange game, which reminds viewers that solidarity is essential to fighting oppression.
Fascism Bares Its German Shepherd Teeth in Two Post-Franco Films
The Creature and A Dog Called Vengeance use German shepherds in allegories of fascist politics, revolution, violence and love.
The Top 10 Episodes of ‘Are You Afraid of the Dark?’
For this Halloween, we invite you to join us in revisiting ten classic, creepy Are You Afraid of the Dark? episodes. First, turn off the lights.
An Older Kind of Fear: Five Classic Halloween Horror Movies on Blu-Ray
From 1930 to 1980, these five horror movies offer masked maniacs, mad scientists, murder mysteries, mummies, and military cannibals for your Halloween freak-out.
Coppola’s ‘Megalopolis’ Is a Trivial Goof Pretending at Ambition
Francis Ford Coppola’s bonkers “fable” about the clash of dreams and cynicism, Megalopolis, has a potent but unfounded belief in its importance.
Masculine Movie Icon Alan Ladd As the Wounded Outlaw Hero
Red Mountain and Botany Bay showcase masculine movie icon Alan Ladd in his glory, playing wounded heroes on the wrong side of the law.
Murder and Apocalypse in Pop Art 1960s Mash-up ‘Fata Morgana’
The Barcelona School made avant-garde films nobody could understand, such as the pop art 1960s mash-up, Fata Morgana. But it sure looks good.
Walter Salles’ I’m Still Here Is an Homage to Fearless Women
Masterfully layered and confidently executed, I’m Still Here swivels between intimate family drama and sweeping political thriller in an homage to fearless women.
Deadwood’s Moral Optimism
Individualism was not the dominant force on the American frontier, as most Westerns would have you believe. Deadwood explores the era’s cooperation and moral optimism.