‘The Big Chill’ Still Hits a Nerve 40 Years Later
The Big Chill‘s blunt suggestion that one may not have lived up to their younger self’s dreams or morals hits a universal nerve to this day.
drama
Sci-Fi Thriller ‘Severance’ Paints Sublime and Subversive Art
More than just corporate propaganda, the subversive artworks in Severance hold a strange place in Lumon Industries’ ideological fabric.
Director Mathieu Amalric on Letting Go in ‘Hold Me Tight’
French director and actor Mathieu Amalric talks with PopMatters about the power of imagination and its phantoms in Hold Me Tight.
The Delightful Frightful Odyssey of Costa-Gavras’ ‘Eden Is West’
Costa-Gavras’ little-seen humane masterpiece, Eden Is West is the rare film that could make its viewers into better people. Now, many can see it on OVID.tv.
What We Can Learn from Robert Bresson’s Simple Tale About a Donkey, ‘Au Hasard Balthazar’
As we see in Au Hasard Balthzazr, director Robert Bresson is no world-hater or sanctimonious moralizer. His spirituality is inseparable from his reverence for the material world.
‘Licorice Pizza’ Pulls a Magic Eyes Trick on Entitled Idiots
Licorice Pizza is a gaudy parade of rich white privileged shits of the type Paul Thomas Anderson tends to focus on. They’re his people.
Carrie Cracknell’s ‘Persuasion’ Isn’t a Netflix Movie, It’s Content
Netflix’s adaptation of Jane Austen’s Persuasion, directed by Carrie Cracknell, isn’t a disaster, it’s a dull reminder of the state of the streaming wars.
The Beginning of a Beautiful Affair Between Billy Wilder and I.A.L. Diamond
Love in the Afternoon deserves credit for its artistic merit but also for serving as the beginning of a beautiful affair between Billy Wilder and I.A.L. Diamond.
Director Leah Purcell on Reimagining ‘The Legend of Molly Johnson’
Indigenous Australian writer, director, and actress Leah Purcell talks about reimagining Henry Lawson’s short story and inserting her family history into The Legend of Molly Johnson.
Director Charline Bourgeois-Tacquet on Debut Romantic Comedy ‘Anaïs in Love’
Director Charline Bourgeois-Tacquet talks with PopMatters about challenging the idea of cinema as an image-based art with her romantic comedy, Anaïs in Love.
Directors Joana Hadjithomas and Khalil Joreige Recall Making ‘Memory Box’
Directors Joana Hadjithomas and Khalil Joreige talk about the making of Memory Box and reactivating the past through adolescent eyes.
‘Evil’ Series Is Chicken Soup for the Horror-Lover’s Soul
On the surface, Evil has all the makings of traditional catholic horror, yet it continuously brings a unique perspective to one of the horror genre’s most well-trodden grounds.
