The artificial connection between homosexuality and communism created the popular myth of evil and undetectable gay subversives living inside 1950s American society. Film both reflected and refracted the homophobia.
Western culture’s perspective of torture is complex and paradoxical; it's considered immoral, illegal, primitive, and indecent, yet it's shocking to see that torture methods continue to be used in the interrogation of prisoners of war.
David Cronenberg and Clive Barker constantly pushed the boundaries of representations of sexual identities, yet their films feel not condemning, paranoid, or xenophobic -- but alluring and fascinating.
Fright film fans have an innate desire to "own" that which they obsess over. Thanks to the ever changing face of home theater technology, and the genre's link to same, they can easily satisfy their creepshow cravings.
Leave it to the geniuses running the Hollywood studios to offset each other by delivering three legendary lycanthrope movies, 'The Howling', 'An American Werewolf in London' and 'Wolfen' during the same seminal genre year: 1981.
In this second of a two-part examination on the roles that fan appreciation, critical consideration, and subject matter play on categorizing horror film, our resident macabre master argues that unlike other cinematic genres, the basic tenets of the terror experience can change from year-to-year, generation-to-generation.
What elements categorize a horror film? Monsters? Murders? Mood and atmosphere? In this first of a two part examination on the subject, our resident macabre master argues that unlike other cinematic genres, the basic tenets of the terror experience can be difficult to clearly delineate.
Horror fandom finds its gruesome, gory touchstone in this second half of our look at genre publications, and its arrival signals a real renaissance in the power and influence of motion picture macabre.
Want to know why Richard Matheson's I am Legend is one of the most important horror novels of all time? Our resident scare scholar offers up this comprehensive overview of the man, the book, and the enduring legacy.
What do murderous Halloween masks, a monster enclosed in a Carpathian fortress, and a legion of interstellar soul suckers have in common? According to our resident scare scholar, they are part of a trio of '80s horror films that have been unfairly maligned by critics and fans alike.
In the final installment of his three-part look at the evolution of special effects in movie macabre, our horror historian looks at Fritz Lang, Lon Chaney, and a certain oversized ape's place in the dynamic of dread.
In the second of a three-part look at the symbiotic relationship between the horror film and special effects, our Dread specialist shows how Mary Shelley's mythical monster, and a unique approach to art design, forever changed the horror film.
In the first of a three-part look at the symbiotic relationship between the horror film and special effects, our Dread specialist argues for magician George Melies' place as the father of all F/X-based fright flicks.