Electronic Rockers Fat Dog Go ‘WOOF’
Fat Dog’s combination of live instruments and rock influences with a more modern dance sound seems like a winner for finding an audience in 2024.
Fat Dog’s combination of live instruments and rock influences with a more modern dance sound seems like a winner for finding an audience in 2024.
Belaya Polosa is full of Molchat Doma’s most complex and overtly human music, organically integrated into their melancholy post-punk atmosphere.
Chromalight keeps a long winning streak going as STS9 continue pushing boundaries with their genre-blending sonic alchemy and collective improvisations.
Conceived in a spirit of celebration, Kasabian’s eighth LP is a concise, stadium-friendly set of danceable, infectiousness pop-rock for life’s brighter moments.
Riot Grrrl’s activism and grass-roots activity showed the movement was more concerned with breaking the rules and conventions than breaking through in punk.
A Certain Ratio find inspiration in their past work and the music that initially inspired them to create art that exists quite nicely in 2024.
Manic Street Preachers’ oeuvre indicates that one can only keep preaching manically if one lets oneself be haunted by the past to show the cracks in capitalist realism.
Mount Kimbie stir their influences into The Sunset Violent so well that it’s distinctly a record of theirs and an enjoyable one at that.
Cyril Cyril’s Le Futur Ça Marche Pas is for agitators, a genre-be-damned assemblage of poetry and vivid effects in the form of well-produced electronic rock.
Nine Inch Nails’ Hesitation Marks creates an objective point for looking back with wiser eyes, showing that the way to a better life is to push through the past.
This is the complete story of how New Order assimilated US underground dance sounds and determined the direction of indie music for many years to come.
“If there was an agenda, it was to not have an agenda at all,” Steven Wilson says of his seventh solo LP, The Harmony Codex, in this extended interview.