SCALPING Embrace Eclectic EDM Approaches on Debut ‘Void’
SCALPING’s Void energetically captures music designed for a club/real-time environment and hybridizes any number of EDM, punk, and metal precursors.
SCALPING’s Void energetically captures music designed for a club/real-time environment and hybridizes any number of EDM, punk, and metal precursors.
A shift to focusing on world-sized problems pays huge creative dividends for Joywave on Cleanse, as they create their most moving work yet.
Seth Olinsky has deliberately upended expectations for years, and his latest version of Cy Dune uses new directions (and waves) to continue old fun.
Kissin Time is the sole moment in Marianne Faithfull’s more recent recording period in which she allowed her musical collaborators to shape her sound.
Dummy’s full-length debut Mandatory Enjoyment percolates with a mesmerizing, inescapable warmth—the best of its Krautpop niche this year.
Sophie Powers’ new statement anthem, “Greed”, explodes with raw, unbridled, teenage energy and passion. She has nailed her sound at 16.
Beautifulgarbage saw Garbage laid bare in a new way that has since given them more room in which to maneuver their invigorating moodiness.
Absolutely Free are back with their first album in years, Aftertouch, and have fully embraced ’80s synthpop as their music template.
The PM Picks playlist features the best new songs. Today, we feature Butterfly Ali, Elina, W.H. Lung, Reliant Tom, and Luna Morgenstern.
Arguably Garbage’s most political record, No Gods No Masters is simultaneously novel and familiar. It’s a stark reflection of the recent overwhelming angst.
Genghis Tron turn 180 degrees from their metal past for one of the most breathtaking re-inventions in heavy music history on Dream Weapon.