Recomposed explores how musicians and entrepreneurs of the “great recomposition” attempt to reconcile ecological responsibility with financial self-preservation, revealing the difficulty of pursuing climate action within market logic itself.
Did our toxic environment affect a generation of serial killers? Pulitzer Prize winner Caroline Fraser leads a creepy and complicated examination.
Rhino Man director John Jurko II was drawn to the storytelling and filmmaking process, but became deeply involved in global environmentalism and a profound friendship.
With her third album, Black Belt Eagle Scout dazzles us with lush atmospheres, seismic rhythms, and a voice that unfurls from another and perhaps a better world.
William MacAskill’s What We Owe the Future is an audacious plea to help our future humans with longtermism thinking, but it is blind to what we need now.
Neil Young’s latest set resonates as fervently composed and heartfeltly topical, and the band are as committed as ever to authentic and vigorous performance.
Director Emmett Brennan talks with PopMatters about telling an environmental story that can benefit our lives with Reflection: A Walk with Water.
Filmmakers David Alvarado and Jason Sussberg talk about ‘We Are As Gods’, which tells the story of environmentalism pioneer, LSD enthusiast, and Whole Earth Catalogue founder, Steward Brand.
When America developed the hydrogen and atom bombs in WWII, the Atomic Age's eyes opened upon our species. They have yet to blink. Judy Irving's Dark Circle is now available for on-line viewing from First Run Features.
Geography, Bonnett claims in Beyond the Map, is becoming harder to read.
The third in a critical environmental series, Anthropocene: The Human Epoch is long on form – leaving little to the imagination – but short on crucially important content.
Josh Caterer of Smoking Popes talks with PopMatters about musical and spiritual experiences, and reflections about the legendary Judy Garland, who inspired their new album Into the Agony.
