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Mulvey's Afterimages draws together her recent writing on women and film to create an engaging collection that is both timely and time-centred.
Although Andre Perry's essays in his debut, Some of Us Are Very Hungry Now, traverse various geographical journeys, they are, overall, ballads, images from the self, the man isolated and marginalized in other countries and in his own land.
In her memoir My Time Among the Whites, Jennine Capó Crucet demonstrates that making your home among strangers is harder than it seems.
Jia Tolentino's first collection of essays, Trick Mirror, expertly navigates how the byproducts of capitalism and the Internet permeate culture, values, politics, and the daily lives of people worldwide.
"White flights" for Jess Row denotes the "postures of avoidance and denial" about whiteness — as a privilege, a cultural norm, and a burden — adopted by white authors, academics, and critics.
The columns, reviews, and essays covering the intersections of musical narratives, sociology, history, and economics in Book Reports, from the Dean of American Rock Critics, is much more than just the man on the tunes.
Eula Biss's essay collection remains compelling not only for its elegant prose that melds politics and personal essay but because its subject matter may be even more relevant today.
Mark Fisher's posthumous collection of essays, k-punk, edited by Darren Ambrose, is an important reminder of the power and versatility of Leftist thinking in horrible times.
Being humble and peaceable are not virtues, according to Oscar Wilde, as seen in his collection of essays, In Praise of Disobedience, disobedience and rebelliousness against inequality and tyranny are much more valuable to humankind.
One can't help but wonder what Epstein feels at churning out fuel for those reactionaries most determined to wreck "the best that has been thought and said" in liberal culture.
'We're Still at War': Illustrated Stories Testifying to Atrocities, Survival, and the Human Condition
Post Bellum's publishing mission is not simply to isolate testimony from those who suffered but to also shed light on those who worked against the smothering constraints of fascism and totalitarianism.
Throughout Dead Girls, Bolin is too eager to jam pack chapters with popular cultural references rather than fully deconstructing the subjects.
Zevon Never Dies: 'Accidentally Like a Martyr' Epitomizes That Wonderful Feeling of Being a Zevon Fan
James Campion's touching, personal study of Warren Zevon's music serves as a reminder of the lasting intimacy of Zevon's songwriting.
Travel of the kind Theroux has spent a lifetime doing would compel anyone to develop patience, a love of solitude and anonymity, a constant alertness, and a resourceful toughness.
The daughters and sons of the embattled, resilient US heartland map out its personal, cultural, and historical landscape.
This is an intricate, stunningly choreographed dance -- parts memoir and criticism -- through life, love, and loss within the context of classical ballet.
The significance of Umberto Eco's work as collected here is found not in his astonishing foresight but in his reasoning.
Wars of attrition are a matter of stamina, of who has the most tools with which to keep fighting. A surprising common tool in this collection? Humor.
Encounter Across the Abyss: Examining the Ontology of the Self in Toni Morrison's 'The Origins of Others'
Morrison's prose is so engaging and welcoming that it's easy to miss the irreconcilable ambiguities that are set forth in her prose as ineluctable convictions.
Turning the pages of The Best American Nonrequired Reading to find Tweets or sheet music creates the kind of unexpected surprise that's often encountered in digital space, but seldom in print.
This sprawling collection of Philip Roth's nonfiction is often insightful, sometimes fascinating, and occasionally overlong.
Mark Greif tackles the big picture in a collection of interesting, ponderous, powerful essays about music, experiences, identity, and reality in all its forms.
In these times, when hope can seem an empty concept, Morrison reminds us that fiction is a laboratory for emerging philosophies and politics.