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TIFF 2016: Colossal, Pyromaniac, Nocturnal Animals, Arrival, American Pastoral, Trespass Against Us

Monster mayhem, aliens, Philip Roth and dysfunctional families -- it's all in a day at Toronto International Film Festival 2016.

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Part 1: The Thin Red Line to Star Wars Episode I (January - May 1999)

The first part of PopMatters' look back at the films of 1999 is bookended by the long awaited return of two cinematic auteurs of wildly different styles, Terrence Malick and George Lucas.

Film

Cinema Qua Non - Indispensable DVDs: Part 3

Day Three - The final ten, a cross-culture collection teeming with big ideas, larger than life visions, and perhaps the greatest documentary on rugby you've probably never heard of.

Reviews

Deception

Like the sex scenes, the film itself is cold and remote, and as viewers, we merely go through the motions, watching it.

Barbara Herman
Reviews

Deception

Deception is less a thriller than it is a contest between boys with big egos, assorted women dropped in as pseudo-exotic objects of exchange.

Reviews

Cassandra's Dream

The first few minutes of Woody Allen's Cassandra's Dream are not bad.

Reviews

Miss Potter (2006)

Chris Noonan's next-film-after-Babe doesn't engage this alternative realm except as whimsy. Beatrix is eccentric. Her "friends" are cute.

Film

Valiant (2005)

Though Valiant is cheerful enough, its actors, animators, and audience have all been let down by its lack of ambition.

Roger Holland
Film

The Island (2005)

Ewan McGregor and Scarlett Johansson run around in an efficiently digitized near-future scary-scape, occasionally propelled by ethical questions about cloning.

Cynthia Fuchs
Reviews

Star Wars Episode III: Revenge of the Sith

For all its lavish effects, Sith's primary purpose is to showcase Anakin's dilemma.

Cynthia Fuchs
Film

Robots (2005)

Valiant and righteous, the old-fashioned robots fight back against the slick, wealthy, huge machine.

Cynthia Fuchs
Reviews

Young Adam (2003)

'Joe's abandonment is like a political act and a political philosophy, he's a libertine and a libertarian,' says Tilda Swinton.

Cynthia Fuchs
Reviews

Black Hawk Down: Superbit (2001)

Black Hawk Down illustrates well the absurdity and chaos of urban warfare: there's no ground to be won, no victory to be claimed.

Cynthia Fuchs
Reviews

Big Fish (2003)

Edward's persistent self-inflation frustrates Will, just as its contradictions appeal to Burton.

Cynthia Fuchs
Film

Young Adam (2003)

Joe's trajectory through post-war Glasgow and Edinburgh takes on a sort of dread inevitability.

Cynthia Fuchs
Film

Big Fish (2003)

Edward is less obviously an outsider than Burton's other Edwards (Scissorhands and Wood), but equally filled with a winning sense of wonder.

Jesse Hassenger
Reviews

Down With Love (2003)

He's mixing drinks in his bachelor pad, equipped with, as director Peyton Reed calls it, a 'really bitchin' television set.'"

Cynthia Fuchs
Film

Down With Love (2003)

At its best, Down With Love celebrates this fictional elegance with a corresponding airiness.

Cynthia Fuchs
Reviews

Black Hawk Down (2001)

An action movie dressed up like an art film, 'Black Hawk Down' is not about betrayal or anger, but heroism and patriotic fervor.

Cynthia Fuchs
Reviews

Star Wars Episode II: Attack of the Clones

So in a post-September 11th world replete with conflicts from Afghanistan to continuous Palestinian-Israeli disputes, the lines between good and evil often seem blurry, and the cut-and-dry antics of galactic warriors instill a sense of hope, a realization of what morality should be. Who would've thought that the likes of Yoda, Obi Wan Kenobi and Chewbacca would serve as heroes for a celluloid generation whose sense of a world order would become crystal clear as a result of a few fictional characters?"

Tara Taghizadeh
Reviews

Star Wars Episode II: Attack of the Clones

There are so very many characters playing central roles in the second half of the series, and accounting for all of their geneses is tricky indeed.

Todd R. Ramlow

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