Brazilian electronic producer Amon Tobin offers up a collection of songs that’s eclectic even by his own genre-hopping standards on How Do You Live.
Jana Rush’s new album addresses mental health issues and exists gingerly on footwork’s outer edges, suggesting the genre without quite hardening into it.
Colin Newman and Malka Spigel talk about moving to Brighton, the art of collaboration, and the new Immersion project Nanocluster, Vol. 1.
Legendary bass-worshipper, the Bug crafts 14 earth-shaking tracks reflecting the volatility of our current socio-political landscape for his latest album, Fire.
Scorn’s new LP adds to the foundation Mick Harris built 30 years ago. We spoke with Mick Harris, Kool Keith, and Submerged about how their universes collided.
As we wobble out of a nightmarish pandemic, Ziúr’s Antifate might be the soundtrack to our awkward efforts to wipe the cobwebs from our wings.
Saxophonist Warren Walker unbuckles his modern jazz seat belt to hitch a ride on his modular synthesizer on (n)Traverse Vol. 1.
The founder of Mute Records and his brilliant production collaborator have crafted countless masterpieces together over the years, but their long-in-the-works Sunroof project didn’t get around to releasing their debut album until 2021. This is their story.
Toronto experimental multimedia collective Intersystems return with a new album that’s just as adventurous and unsettling as the music they made decades ago.
Combining field recordings with quiet, droning musical touches, A Softer Focus from experimentalist Claire Rousay may be her strongest work yet.
In this interview with Jan St. Werner, the veteran electronic musician discusses how Mouse on Mars have attempted to blur the distinction between machine intelligence and empathy on their new album AAI.