
Bill Callahan Circles Himself on ‘My Days of 58’
Bill Callahan reprises some familiar themes on My Days of 58, from constructing a simulacrum of oneself through songwriting to the weight of depression.

Bill Callahan reprises some familiar themes on My Days of 58, from constructing a simulacrum of oneself through songwriting to the weight of depression.

Connor Armbruster is not only a brilliant musician but a refreshingly restless one Half My House is a unique and tuneful spin on traditional Irish music

David Garland’s The Spark may be an expression of loss, but it also overflows with kindness, positivity, and the endless curiosity of a truly original artist.

Friendly Rich’s The Birds of Marsville fits comfortably and deservedly among centuries of meticulously crafted birdsong compositions. It’s a wild, joyous ride.

Nathan O’Flynn-Pruitt will often let his guitar do the talking for long stretches, establishing moods that are sometimes reflective and frequently somber.

Eli Winter might not be pulling back the curtain on everything with his new LP, but he presents a more complete picture of his art’s diversity.

Aesthetically cohesive, Satomimagae’s Taba consists of many sounds and feelings. It’s geometrically organic and takes her even further afield in invigorating ways.
Circuit des Yeux’s work, including her singular voice, conjures the grand epics, the metamorphoses that the ancients whispered and sang about.
Humanhood finds the Weather Station going deep to find whatever heaven may exist on the surface above. There is an identifiable signature to the music.
On their first official album as a trio, the Nathan Bowles Trio forsake egotism in favor of collective world-building with warm, inviting acoustic music.
Hannah Frances’ hypnotic new album Keeper of the Shepherd is a master class in sophisticated songwriting and pastoral scene-setting.
Too Many Souls is the latest installment in Canadian alternative folk artist Avi C. Engel’s pursuit of “one long continuous song”.