Mike Ladd and Remi Rough Unite on ‘The Dead Can Rap’
Mike Ladd with producer Rough pulls up a wealth of succulent groove on The Dead Can Rap, nudging the think tank of his polemic poetry onto the dancefloor.
experimental hip-hop
Mick Harris, Kool Keith, and Submerged Discuss Scorn’s “Distortion”
Scorn’s new LP adds to the foundation Mick Harris built 30 years ago. We spoke with Mick Harris, Kool Keith, and Submerged about how their universes collided.
Melvin Gibbs Breathes New Life Into Protest Music on ‘4 + 1 Equals 5 for May 25’
Long-time New York jazz sideman Melvin Gibbs breathes new life into protest music on the short but highly potent EP, 4 + 1 Equals 5 for May 25.
Kool Keith Delivers Another Surreal Rap Odyssey on ‘Keith’s Salon’
Veteran rapper Kool Keith’s latest album, Keith’s Salon, finds his brand of dirty, absurdist hip-hop in especially sharp form.
Clipping Take a Stab at Horrorcore with the Fiery ‘Visions of Bodies Being Burned’
Clipping's latest album, Visions of Bodies Being Burned, is a terrifying, razor-sharp sequel to their previous ode to the horror film genre.
Tricky’s ‘Fall to Pieces’ Lacks the Risk-Taking of his Early Work
Tricky's Fall to Pieces gives the impression of an artist struggling to sustain his vision, leaning on his collaborators to make up for the lack of it. Like on the last two albums, Tricky sounds too restrained here.
Shabazz Palaces Bring the Funk on “Bad Bitch Walking” (premiere)
A sultry, locomotive shuffle of hip-hop and hot blue funk, Shabazz Palaces' "Bad Bitch Walking" features Ishmael Butler as a susurrating lover whose languid gaze of a woman is slowly supplanted by the erotic ellipses of female motion.
Hip-Hop Since the Don of Rhyme: Shabazz Palaces’ ‘The Don of Diamond Dreams’
With the release of Shabazz Palaces' The Don of Diamond Dreams, producer-rapper Ishmael Butler envisions yet another lunar world of sound disturbed by his anxieties and desires.
JPEGMAFIA’s ‘All My Heroes Are Cornballs’ Humanizes His Visceral Online Image
On All My Heroes Are Cornballs, experimental rapper and producer JPEGMAFIA broadens his visceral online image and sounds into a more vulnerable, humanizing, and melodic project.
Death Grips Produce Another Fun Ride on ‘Year of the Snitch’
Experimental hip-hop act Death Grips returns with a more straightforward and direct offering in the rock-infused Year of the Snitch.
Sami Baha Displays How Deep the Roots of Hip-Hop Run
The debut album from producer Sami Baha reveals an undeniable grasp of hip-hop fundamentals and trap aesthetics, while propelling these concepts forward.