
Horse Lords Expand Their Sound on Hypnotic Album
There is a beautifully down-to-earth aspect to Horse Lords’ new LP and they are confident in their signature sound while still finding ways to keep it fresh and unique.

There is a beautifully down-to-earth aspect to Horse Lords’ new LP and they are confident in their signature sound while still finding ways to keep it fresh and unique.

Among his many discoveries about the Velvet Underground, Richie Unterberger’s description of unheard tapes will have fans salivating.

Bill MacKay, Douglas McCombs, and Tashi Dorji’s improvisational music mirrors Garry Winogrand’s street photography.

Modern Woman’s operatic Johnny’s Dreamworld offers a range of sounds, from post-punk to art rock to chamber pop.

Radiohead operate in an entirely different dimension than anybody else in music. They don’t bother with arbitrary boundaries or definitions about what rock should be.

A Place to Bury Strangers resurrect lost obscurities for a record that paints a map of their past and future simultaneously. Oliver Ackerman describes the process.

I Want to Be Ready sees the Early transporting and transcending, exploring the textures their unique instrumentation provides.

Born from a cover-song subscription model, Xiu Xiu’s latest album unearths the raw humanity in pop confections. Jamie Stewart discusses this and more.

Indie institution Xiu Xiu transform the sound of a diverse set of tracks to emphasize the darkness and despair lurking within them.

Laura Ann Singh steers her reckless way through traditional jazz, torch song elegance, avant-garde experiments, and an anarchic sense of punk rebellion.

Guerilla Toss excel in portraying a tangible connection between band and listener, cutting through the prism of pretence for something more instantaneous.

Thalia Zedek stays on the tipping point throughout this album, never resolving the tension, but constantly plunging into the heart of it with fearless verve.