This Jazz Age is presented in the film as so many brightly colored, manic fantasies, in frantic, crowded dance scenes, in speedy, deliriously unconvincing driving scenes, and even conventionally awkward, filtered-light sex scenes.
Ernest Hemingway compared Paris to a moveable feast because no matter what time it is, Paris is always the magnificent city of lights. Woody Allen expands upon Hemingway's testimony in the magical Midnight in Paris.
Can ideology be passed on without being radically altered? In Damaged #2 creators Michael and John Schwarz along with writer David Lapham and artist Leonardo Manco explore this question that is at once artistic, relevant to the digital economy and core American values. Explore more of the story in the free-to-download preview attached to this story.
Writer Chris Roberson's offer of a bold new Elric as struggling with notions of American identity on a grand historical scale couldn't be more timeous. But does he lose the quintessential nature of Moorcock's command over various genre?