The contributors to Apple, Tree: Writers on Their Parents identify nuance; frequently framing themselves and their parents through multiple lenses.
Critics and audiences have made much fun of Tom Hooper's Cats. The laugh is on them.
In a society of things, social responsibility requires a recognition of the influence of commodities upon our most foundational spiritual experiences. Nickelodeon's animated series, Rocko's Modern Life, puts it simply.
Phoebe Waller-Bridge's Fleabag forces viewers to sit down at the dinner table with "the family", which is a game of conversational hot potato -- and nobody wants the f*cking potato.
Whatever the plot lines of a work of fiction, if it features siblings as important characters, various rich themes are mined. This issue of Short Stories brings forth the sibling-inspired works of Martha Bátiz, K Anis Ahmed, Jenny Zhang, Lidudumalingani, and Kseniya Melnik.
HBO's My Brilliant Friend feels almost radical for its raw and un-romanticized depiction of female friendship and resistance in all its emotional complexities.
Tense, unflinching, and completely self-aware, Pet Sematary veers away from its source material in satisfying ways, yet remains true to Stephen King's uncompromising vision.
Over 90 years later, silent film The Kid Brother works well as entertainment for modern audiences, for whom its calculated old-fashioned corn and apparent simplicity aren't a problem but par for the course.
In graphic novel Belonging, Nora Krug takes a single idea – her family's involvement in the Second World War and Nazi Germany – and pursues it with relentless, forensic determination.
Even with few truly catchy numbers and a cumbersome plot, Mary Poppins Returns has enough bright-eyed optimism to almost escape the shadow of the toe-tapping original.
Tessa Fontaine's memoir will dazzle.
Tim Story's film should have been a smash. So why did it fail in its adaptation of the groundbreaking Marvel comic book?
This documentary about a Japanese Immigrant in America during and after WWII dances with history, memory, and friendship.
Director Jonathan Olshefski has made a stirring call for the placement of low-income, inner-city families into our collective consciousness.
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