
‘Wuthering Heights’ Puts Us All on the Leash
In her creative obedience to Emily Brontë’s intent, Emerald Fennell’s adaptation of Wuthering Heights keeps her characters – and her audience – on a tight leash.

In her creative obedience to Emily Brontë’s intent, Emerald Fennell’s adaptation of Wuthering Heights keeps her characters – and her audience – on a tight leash.

A Shakespeare scholar’s deep dive into Stephen King’s 1970s work illuminates the elemental nature of fear.

Fans are struggling with how to separate Kanye West’s groundbreaking artistry from his troubling descent into white nationalism and hate speech.
The “ABC” structure and diverse archival material in The Cinema of Barbara Stanwyck make it among the most interesting texts released in 2023.
Kaitlyn Tiffany’s history of fandom and its influence on life online, Everything I Need I Get From You, is both lighthearted and erudite.
Why won’t Weezer admit that the “embarrassing” unfinished Songs from the Black Hole rock opera are the rudiments of 1996’s (eventually) critically acclaimed ‘Pinkerton’?
Netflix's Firefly Lane put the gun on the stage. Creator Maggie Friedman had the characters pick it up and play with it.

Fandom, powered by nostalgia, is gigantic, uncloseted, and unfortunately, argumentative.

K-pop boy band BTS are masterful at creating a separation between their public personas and their private lives. This mythology leaves a void that fans willingly fill.
Had Stephen King and Bryan Smith “met” on that same street 20 years after The Accident, the physical consequences would have probably been complicated by media drones, TMZ helicopters, Instagram and Twitter posts, and Facebook livestream coverage.
The Land of Grace is at once a critique of religious faith, a comic romp through the weirdness of Elvis culture, and a horror story in which death and resurrection aren't so much an Easter miracle as a recurring nightmare.