‘Spider-Man: No Way Home’ Wildly Rocks Multiple Worlds
In a world where everybody knows that Peter Parker is Spider-Man, universes are bound to go crazy, and that makes Spider-Man: No Way Home fantastic entertainment.
In a world where everybody knows that Peter Parker is Spider-Man, universes are bound to go crazy, and that makes Spider-Man: No Way Home fantastic entertainment.
Director Céline Sciamma talks with PopMatters about exploring inequality in the adult/child relationship with her gentle and beguiling fantasy, Petite Maman.
Existential fear about post-war American masculinity is dragged into disturbing light in Rod Serling’s dark tales of the American Dream, Night Gallery.
Legarreta’s ‘All the Moons’, premiering at Fantasia 2021, penetrates the infantile fantasy of immortality to remind us that fear is not a curse.
Children’s films Jack the Giant Killer(1962) and The Daydreamer (1966) provide mindful escapism to viewers.
Craig Gellispe’s ‘Cruella’ uses jaw-dropping fashion with stunning ingenuity to tell this classic tale of descent into madness.
Meant to divert wartime audiences with sheer escapism, René Clair’s ‘It Happened Tomorrow’ dives into a past where tomorrow looks troublesome.
Paul Leni’s silent film Waxworks (1924) is a brilliantly acted, engaging, and exhilarating example of German Expressionism on film.
Céline and Julie Go Boating transcends its mystic device of hijacked cinéma verité to present an authentic idea of truth in the contrived world of celluloid.
Restored ‘Ingagi’ (1930) is an important influential film fit for neither man nor beast.
Beautifully restored Hungarian animation film, Son of the White Mare, is enchanting.
Using Lewis Carroll's Alice's Adventures in Wonderland as the basis for his film, Claude Chabrol essays a woman's metaphysical journey into fear in his fantasy-themed Alice ou la dernière fugue.