Victor Serge, a rare survivor of Stalin's Terror, had a keen, razor-sharp intelligence and made observations that are highly relevant to our troubled times.
Designated Survivor Season Three effectively criticizes the Trump administration and poses complex questions in our time of the rise of the extreme right.
Authors Rosa Liksom and Luce D'Eramo brilliantly convey the seduction and willful disbelief associated with fascism; how one brushes off their misgivings, thinking that it will be different for them.
Originally produced as fascism spread throughout Europe and nativism spread in the US, Oklahoma!'s exploration of belonging was a conspicuously political one.
George Orwell's essays -- so urgently relevant in these times -- convey the political and social views he would later express in his fiction.
'We're Still at War': Illustrated Stories Testifying to Atrocities, Survival, and the Human Condition
Post Bellum's publishing mission is not simply to isolate testimony from those who suffered but to also shed light on those who worked against the smothering constraints of fascism and totalitarianism.
Éric Vuillard's work is a short, sublime history that provides a necessary and contemporary service by stripping away the mythic quality of Nazi fascism.
By adopting a populist strategy, the left could finally overcome neoliberalism, replacing it with a deeper, kinder and more radical form of democracy, Mouffe argues.
The status quo of the past 30 years facilitated a massive transfer in wealth and public resources away from the average American and into the hands of a wealthy minority; a radical coup if ever there was one. Yet it was achieved democratically. A response to Madeleine Albright's Fascism: A Warning.
The beautiful storytelling of Anna Seghers' World War II classic belies its important insights into life under fascism.
The first season of this icily horrific series is a crash course in the possibilities of a uniquely American 'It Could Happen Here' patriarchal Christian fascism.
While America was riveted by the "Red Scare" on the one hand, it failed to see what the other hand, the Nazi threat, was doing.
Rogue filmmaker Alex Cox ties The Prisoner's island mentality and palpable "cupcake fascism" to current political events, including Brexit, in I Am Not a Number.
Blackstar addresses the tension between David Bowie’s avowed attraction to ideologies of blood and soil, and his equally committed obsession with African American musical forms and tropes.
Far more than a comic book with an edge, Art Spiegelman's Maus interrogates the fallacious identity politics of the Nazis, to an unforgettable effect. Given recent events in Europe, this is a vital book to revisit.