
Cormac McCarthy’s ‘Blood Meridian’ Diagnoses Everyday Fascism
If everyday fascism’s essence is the anti-humanist view of living beings as disposable instruments, then Cormac McCarthy’s Blood Meridian is its field manual and warning.

If everyday fascism’s essence is the anti-humanist view of living beings as disposable instruments, then Cormac McCarthy’s Blood Meridian is its field manual and warning.

Paul Verhoeven’s sci-fi films are like how-to manuals for neo-totalitarianism, which doesn’t rely on coups, martial law, violent suppression of the opposition press, or paramilitary factions roaming the streets to instill our obedience.

Thomas Vinterberg’s acclaimed dark comedy The Celebration strongly evidences the root causes of humanity’s unrestrained aggression, bigotry, and fascist proclivities.
The Creature and A Dog Called Vengeance use German shepherds in allegories of fascist politics, revolution, violence and love.
Sergei Lebedev’s The Lady of the Mine builds towards a series of translucent revelations on the epigenetic trauma of Ukraine, Russia, and the USSR.
These Spanish horror movies tapped into the anxieties of the final years of General Franco’s dictatorship while pretending to be merely tales set in foreign countries.
Rachel Maddow’s latest book on political history, Prequel: An American Fight Against Fascism, weaves varying players past into a singular danger present.
Like political populism, punk’s traits and tenets are sufficiently vague, contradictory, and unmoored to be vulnerable to co-option by all political opportunists—including the fascist alt-right.
Guillermo del Toro’s Pinocchio gives lessons in mortality from death creatures possibly more unsettling than those in Hellboy II and Pan’s Labyrinth.
In Gramscian fashion, Frétigné details the material conditions of Antonio Gramsci’s insight and influence while shirking historical determinism and abstract idealism.

The Trump-bolstered radical right are akin to fourth-century Christian fanatics who -- in the space of a single generation -- transformed the Roman empire from a state of broadly tolerant religious plurality to one of violence and societal destruction.

It's not just gun-toting crooks who abuse refugees, we learn from memoir I Just Wanted to Save My Family, it's also politicians and legal officers filling their personal and national coffers with fines and extortion who profit from criminal human trafficking.