Talking About a Fashion Revolution: LGBTQ+ DapperQ
Anita Dolce Vita talks about the LGBTQ+ fashion DapperQ and its ungendered revolution against the status quo.
fashion
Suicide’s Music in Film: An Interview with Martin Rev
Suicide’s music is used in films from the comedy Mistress America to the documentary The Red Orchestra. Martin Rev shares memories of the films and the sci-fi that he and Alan Vega loved.
‘British Vogue’ Editor Edward Enninful Zigs Where Others Zag
British Vogue editor Edward Enninful tells the story of his career swerves as straightforwardly as possible in his absorbing memoir, A Visible Man.
Disney’s ‘Cruella’ Is a Derivative Yet Brilliant Pastiche
Craig Gellispe’s ‘Cruella’ uses jaw-dropping fashion with stunning ingenuity to tell this classic tale of descent into madness.
From Hardcore to Harajuku: The Origins of Scene Subculture
TikToker Madeline Pendleton and early metal and hardcore scenester Ethan Stewart recall the scene subculture of the ’00s.
Sean Baker’s ‘Khaite’ Makes Punk Classy
Sean Baker’s short film, ‘Khaite’, mixes high fashion with hard crime New York city style.
It’s Not Just Queer Fashion; It’s Visual Activism
Fashion is a verb for the LGBTQ+ community, and Closet Cases shows how people use style and artifacts to build a self-image that is both a statement and a truth.
Shahidha Bari’s ‘Dressed’ Is a Well-packed Suitcase
Reading Dressed is rather like the experience of wandering through a department store or a friend's well-curated closet.
Even When He’s No Longer in Fashion James Bond (Almost) Never Goes Out of Style
A man of action mostly dressed in smart suits is absurd, but the true essence of James Bond lies in looking good as he goes about his business.
‘Our Shoes, Our Selves’? Or Our High-Heeled Shoes, Our White-Skinned Selves?
There are several broken heel stories in fashion photography book Our Shoes, Our Selves, but no stories that elucidate how to break with the expectation of heels.
Urgent Art Through the Eyes of Young Men: ‘See Know Evil’
Charlie Curran, the young director of the documentary See Know Evil, discusses the importance of telling the story of the equally young '90s fashion photographer phenomenon, Davide Sorrenti.
