Bruce Springsteen's music in film and television captured author Caroline Madden's imagination. She discuses her book, Springsteen as Soundtrack, and other things Springsteen in this interview.
Tim Brooks' detailed research tells us how blackface didn't die, but found ways to multiply as the entertainment industry grew.
Simon Brew's latest book, The Secret Life of Movies, gives film fans a compelling look into films from angles they might not have thought of -- yet.
From the makers of The Blob, Irvin S. Yeaworth, Jr .and Jack H. Harris, 4D Man and Dinosaurus! (restored by Kino Lorber) give film fans a can't-look-away sci-fi gaze into the victims of progress.
The title suggests that this would be a schlocky B movie with a '70s-style grindhouse aesthetic, but The Man Who Killed Hitler and Then The Bigfoot is, in fact, a finely crafted and emotionally charged drama about ageing, loneliness, and lost love.
The budding auteur's follow up to Get Out, Us, is murkier than its predecessor but features a treasure trove of potent references to keep its ambitious premise afloat.
In Chinese Movie Magazines, Paul Fonoroff highlights the capacity for humans to embed their desires and history in the most innocuous-seeming of creative efforts.