
‘Esta Isla’ (‘This Island’) Contains Multitudes
From its opening title, Esta Isla (This Island) embraces the complexity and contradictions of Fredric Jameson’s formulation of “third-world” society and Puerto Rico’s unique situation.

From its opening title, Esta Isla (This Island) embraces the complexity and contradictions of Fredric Jameson’s formulation of “third-world” society and Puerto Rico’s unique situation.

From The Banjo Boys beginnings as a “mini-doc” to its fruition as a feature film, Johan and Neil Nayar join musicians Yobu Maligwa and Yosefe Kalekeni on their journey from simple craft to sensational art.

The jokes in Monty Python’s the Life of Brian bristle with ideas about the absurdity of dogma and obedience to power, but the Pythons didn’t care about making audiences angry over religious hypocrisy.

In Basic Instinct‘s interrogation scene, Sharon Stone’s body becomes both lure and barrier, asserting agency while destabilizing authority.

All the films in Martin Scorsese’s World Cinema Project No. 5 showcase filmmakers whose output deserves restoration, but Kummatty offers the most direct and unapologetic sensual pleasures.

The French were making their own postwar brand of dark, downbeat, terse, vivid, chic, and cynical criminal melodramas before anyone ever heard the term “French Noir”.

Capitalism’s moral rot is tracked in three NYC films: from heroin dealers who risk arrest to insider traders who risk indictment to men in masks who risk nothing at all.

To Save and Project’s 2026 offerings include an early talkie that rivals Alfred Hitchcock and an overall fascinating glimpse of film and real history.

The Best DVDs of 2025 are the works of serious auteurs whose films will stick in your brain like haunting melodies – or shards of glass.

Like Steven Soderbergh, director Michael Winterbottom has become very good at shapeshifting, making his work difficult to shoehorn into a genre.

These 12 psyche-burrowing, Halloween-perfect horror movies indulge our damned desire to explore the dark inner recesses of our selves and society.

In an era when cameras dictate and distort our perception, found-footage horror movies keep creeping back into our never-wholly-real, uncanny world.