Michael Winterbottom’s ‘Shoshana’ and the Slow Death of the Prolific Auteur
Like Steven Soderbergh, director Michael Winterbottom has become very good at shapeshifting, making his work difficult to shoehorn into a genre.
film feature
12 Horror Movies That Burrow Into Our Psyches
These 12 psyche-burrowing, Halloween-perfect horror movies indulge our damned desire to explore the dark inner recesses of our selves and society.
Why Found Footage Horror Movies Keep Creeping Back
In an era when cameras dictate and distort our perception, found-footage horror movies keep creeping back into our never-wholly-real, uncanny world.
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Check Out ‘The Librarians’ Before It’s Banned
The Librarians is a vital David and Goliath documentary of the fight against book banning, a harbinger of fascism, in America.
‘Streets of Fire’ as Global Myth
Streets of Fire boldly rejects conventional genre boundaries, merging action, rock opera, MTV video, and neo-noir into an audacious and stylized urban myth that resonates globally.
In Love with ‘Her’ Hallucination in Our Era of Rising AI
Spike Jonze’s Her is a work of art that is far more influential than predictive; ahead of its time in exploring the murky obsessions and ambiguities that haunt our relationship with AI.
The MCU’s Forever Ending World Problem
In the MCU we are offered gods but not theology, disasters but not mourning, power but not politics. The world can end and restart, but it will never evolve.
‘The Shrouds’ and David Cronenberg’s Cinema of Bodily Grief
David Cronenberg’s The Shrouds harkens back to his early body horror obsessions with a poet’s tone, retaining the connective tissue that embodies him.
Bob Dylan and Muhammad Ali Are Gods
Bob Dylan and Muhammad Ali are stars, prophets, liberators, kings, and gods, forever immortalized in the mythology of documentary filmmaking.
‘Pretty in Pink’ and the Death of the Left
Pretty in Pink‘s key moments show that John Hughes’ film is neither conservative nor leftist. Rather, it is an exploration of the death of the left.
The Long Dark Reach of Cornell Woolrich’s Noir Thrillers
Cornell Woolrich’s premise that happiness is always just beyond reach grabs hold of noir thrillers Dark City, Beware, My Lovely, and No Man of Her Own.
Hobart Bosworth’s Edgy Strong Silent Type Clings to Life
What remains of Hobart Bosworth’s edgy strong silent type characters and his directing achievements cling to life in the few silent-era Hollywood films left to us.