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Apparat's (aka Sascha Ring) re-imagined score from Mario Martone's 2018 Capri-Revolution works as a fine accompaniment to a meditational flight of fancy.
Colin Stetson discusses his process for scoring film and artistic satisfaction it gives him. "I get to invent a new array of solutions with novelty and identity. I hope the music has not existed in the particular guise and aesthetic before that."
The new LP from the Faith No More/Gigante Sound side project, Talking Book, is an interesting collection of ambient soundscapes, but could use more narrative heft.
Film music composer Ryan Rumery kicks off a new Bandcamp-only Friday release series with At, Apart, which is devastating in emotional scope and careful sense of arrangement and place.
For the man behind some of the most memorable hip-hop productions of the last few decades, a new challenge hits Daniel M. Nakamura in the form of coming up with the emotional soundtrack for the stellar new teen comedy film Booksmart.
Film/TV score composer Cliff Martinez talks with PopMatters about his work with Steven Soderbergh, Harmony Korine, and Nicolas Winding Refn, whose new series Too Old to Die Young features one of Martinez's most ambitious scores to date.
While Charlie Chaplin's music may have been meant as accompaniment to his movies, it can stand alone and provide solace today.
In celebration of his 90th birthday, Ennio Morricone gives a breathtaking show and bids goodbye to live performances through a career-spanning thematic tour.
Barry Jenkins' If Beale Street Could Talk is a thought-provoking tale of both love and injustice, and in working with Moonlight composer Nicholas Brittell, the two find compelling musical motifs from unexpected places.
The Allure of 'Mountain': An Interview with Artistic Director of the Australian Chamber Orchestra, Richard Tognetti
Richard Tognetti reflects on synergising music and film with the cello-like voice of narrator Willem Dafoe in his work for Jennifer Peedom's gorgeous documentary, Mountain.
John Carpenter's New 'Halloween' Is a Father-Son Bonding Activity Remembering Times Past Rather Than Finding New Places to Go
John Carpenter revisits his most iconic work of horror with a brand new soundtrack for the 40th anniversary of Halloween.
Disco legend Giorgio Moroder and composer Raney Shockne paired up to create the musical score for Queen of the South. In so doing, they perfected what they call "electro-noir".
From quirky pop to classically-affected modern compositions, John Erik Kaada has returned with his first solo album in nine years, so wants to do what any regarded musician would: talk about Homer Simpson and Norwegian environmental policies.
Emmy-nominated composer Ben Salisbury and Geoff Barrow, music producer and founding member of Portishead, speak with PopMatters about their original score for Alex Garland's science-fiction film, Annihilation.
Two musicians from Gdansk team up as Nanook of the North to weave ambient magic for an old silent film of the same name.
With the exception of a handful of songs, Robert Glasper Experiment: Live doesn't look as good as it (sometimes) sounds.
Jonny Greenwood's Oscar-nominated score for Paul Thomas Anderson's Phantom Thread is his strongest yet, and an integral character driving the tension of the film and its intense love story.
Composer, producer and multi-instrumentalist Jon Brion lends his melodic, baroque charm to the most acclaimed film of 2017.
Having scored three Best Original Song nominations at the Academy Awards in the past four years, multi-instrumentalist J. Ralph talks his passions, working with Sting, and teaching the London Symphony Orchestra how to improvise.