Composed by Sufjan Stevens, the Reflections soundtrack is virtuosic and a pleasant listen but on its own the album feels indistinct and largely forgettable.
Boy Harsher chose to fill dark times by creating a film and soundtrack. The Runner, a sharp 30-minute horror, unfurls tantalizingly ambiguous events at a stately place.
As an Explosions in the Sky album, the lack of indulgent edge is one of the few things you can say about Big Bend (An Original Soundtrack for Public Television.
Joe Wong, the composer behind Netflix's Russian Doll and Master of None, articulates personal grief and grappling with artistic fulfillment into a sweeping debut album.
Having composed for blockbuster films and ballet, Ilan Eshkeri discusses how powerful emotional narratives and the opportunity for creative freedom drew him to triple-A video game Ghost of Tsushima.
Nate "Rocket" Wonder and Roman GianArthur composed a thrilling neo-classical score for Janelle Monáe's new film, Antebellum. Hear the dramatic "Opening" of the soundtrack.
Stereolab spin-off project, Cavern of Anti-Matter thrive in alchemizing varied and abstruse influences to elicit transfixing moments of frazzled disquiet and dread on In Fabric.
Apparat's (aka Sascha Ring) re-imagined score from Mario Martone's 2018 Capri-Revolution works as a fine accompaniment to a meditational flight of fancy.