Inventing Electro-Noir: An Interview with Giorgio Moroder and Raney Shockne
Disco legend Giorgio Moroder and composer Raney Shockne created the musical score for ‘Queen of the South’. We talk with them about their “electro-noir”.
Disco legend Giorgio Moroder and composer Raney Shockne created the musical score for ‘Queen of the South’. We talk with them about their “electro-noir”.
From quirky pop to classically-affected modern compositions, John Erik Kaada has returned with his first solo album in nine years, so wants to do what any regarded musician would: talk about Homer Simpson and Norwegian environmental policies.
Emmy-nominated composer Ben Salisbury and Geoff Barrow, music producer and founding member of Portishead, speak with PopMatters about their original score for Alex Garland's science-fiction film, Annihilation.
Two musicians from Gdansk team up as Nanook of the North to weave ambient magic for an old silent film of the same name.
With the exception of a handful of songs, Robert Glasper Experiment: Live doesn't look as good as it (sometimes) sounds.
Jonny Greenwood's Oscar-nominated score for Paul Thomas Anderson's Phantom Thread is his strongest yet, and an integral character driving the tension of the film and its intense love story.
Composer, producer and multi-instrumentalist Jon Brion lends his melodic, baroque charm to the most acclaimed film of 2017.
Acclaimed record producer and film composer Jon Brion is having a boon of a year after composing the music for Lady Bird, but still has so much more to say.
For an artist like Dan Deacon so intensely involved with constant maximalism at the expense of almost all other endeavors, this is a left turn.
The West continues to catch up to the artistry of Mikael Tariverdiev through Olga Sergeevn.
Leave it to a film about a family torn apart by Nazi activity to bring the best out of Radiohead's Philip Selway.
Having scored three Best Original Song nominations at the Academy Awards in the past four years, multi-instrumentalist J. Ralph talks his passions, working with Sting, and teaching the London Symphony Orchestra how to improvise.