
To Save and Project 2026 Nails Cutting-Edge Film Restoration
To Save and Project’s 2026 offerings include an early talkie that rivals Alfred Hitchcock and an overall fascinating glimpse of film and real history.

To Save and Project’s 2026 offerings include an early talkie that rivals Alfred Hitchcock and an overall fascinating glimpse of film and real history.

The Devil’s Bride is surely one of the most bizarre films from the Iron Curtain; as hallucinatory as anything this side of Teletubbies.

What remains of Hobart Bosworth’s edgy strong silent type characters and his directing achievements cling to life in the few silent-era Hollywood films left to us.

MoMA’s To Save and Project film restoration festival shows silents, exploitation films, avant-garde jokes, and the first Mexican film awarded at Cannes.

MoMA’s film restoration fest To Save and Project eyes bad behavior with a Casanova, Western gunmen, pre-Code showgirls and drug addiction.

From silent classics to Thai melodrama, home movies to Brazilian sambas, MoMA’s To Save and Project festival is catnip for international film buffs.

René Laloux’s conformity-challenging animated sci-fi The Time Masters resonates with Hayao Miyazaki films and Jack Vance novels.

Angry old men, sexy strumpets, moonshiners, corrupt sheriffs, and dumb farmhands populate them thar hills in these two low-budget ’60s hicksploitation films.

Time of the Heathen is a nightmarish, hyper-edited, avant-garde freak-out as atomic angst and racial woes wend their way toward Shakespearean tragedy.

1930s cinema gets wild and funny with French Revelations: Fanfare d’amour and Mauvaise Graine, talkies with impolite elements from Pottier, Wilder, and Esway.

Its lesbian love interest was once modified and a saccharine ending tacked on, but a new controversy arises with G.W. Pabst’s silent film classic Pandora’s Box.

Most of the comedies in Laurel & Hardy: Year One starred others, so this set shows the evolution of the dual film by film, getting better as they go along.