Gothic Horror ‘The Mask of Satan’ Gets Deliriously Freaky
Lamberto Bava’s gothic horror The Mask of Satan is a loose framework for ideas to showcase a delirious camera and the freaky makeup effects of Sergio Stivaletti.
Lamberto Bava’s gothic horror The Mask of Satan is a loose framework for ideas to showcase a delirious camera and the freaky makeup effects of Sergio Stivaletti.
Sierra Falconer’s anthology film Sunfish (& Other Stories on Green Lake), is quietly impressive, workmanlike storytelling.
Murder, secret rooms, and a man in a bat suit are among the shenanigans in silent film The Bat, a seminal work that begat comics dark superhero Batman.
Bruce Springsteen documentary Road Diary: Bruce Springsteen and The E Street Band gets you there by taking a familiar yet still enjoyable route.
Fantastic colors, costumes, and effects ripple through Masahiro Shinoda’s New Wave-era Demon Pond, which is drenched in Kabuki romantic fantasy.
Mati Diop’s Dahomey documentary about the 2021 return of looted artworks to Benin looks more to the present and future than the past.
Lana Wilson’s soulful, patient, appropriately skeptical documentary takes psychics at their word but also peers behind the curtain in revealing ways.
Francis Ford Coppola’s bonkers “fable” about the clash of dreams and cynicism, Megalopolis, has a potent but unfounded belief in its importance.
The Barcelona School made avant-garde films nobody could understand, such as the pop art 1960s mash-up, Fata Morgana. But it sure looks good.
Arch Oboler’s Bwana Devil kicked off the 1950s 3D movies craze with a man-eating lion story, and 70s years later it’s trying to get its claws into audiences.
Nathan Silver’s 1970s-styled throwback Between the Temples is a comedy of people awkwardly fumbling toward purpose, faith, and meaning.
For his teen horror film Cuckoo, director Tilman Singer tries to tame his wild and creative imagination into something more commercially friendly, with mixed results.