Nicolas Cage Biography ‘How Coppola Became Cage’ Focuses on Methods and Cooperation
Zach Schonfeld’s compulsively readable, well-researched book on Nicolas Cage, How Coppola Became Cage, gets to the heart of the unique, multitalented actor.
Zach Schonfeld’s compulsively readable, well-researched book on Nicolas Cage, How Coppola Became Cage, gets to the heart of the unique, multitalented actor.
David Lazar's Celeste Holm Syndrome documents how character actor work is about scene-defining, not scene-stealing.
David Mikics casts Stanley Kubrick as a kind of modernist tragedian, showing how meticulous planning often gives way to vanity, error, or random chaos.
Paul Lopes's Art Rebels is a study that tries (and only partly succeeds) to fit two great artists -- Miles Davis and Martin Scorsese -- into clearly defined categories.
In an apparent attempt to generate understanding and contextuality in film history, David Thomson only ends up perpetuating myths and stigmas against homosexuals in his latest, Sleeping with Strangers.
Isenberg doesn’t reveal much about the lives or careers of Humphrey Bogart and Ingrid Bergman, but he provides some interesting and less well-known information.
Film history is re-written both deliberately and inadvertently, and so the consideration of it as "fact" becomes tricky, as Jane Gaines' work reveals.
Film history work Lewd Looks argues that sexploitation films provided an underground and important bridge between the end of old Hollywood and the start of something else.
David Bordwell effectively argues that the change in the era of bold, different, sometimes difficult films from the '40s made a permanent mark of cinematic storytelling that resonates to this day.
Axiomatically, Rachel Dwyer’s Bollywood’s India is a survey of the collective dreamscape created by a billion desires and dreads.