M. Night Shyamalan’s ‘Glass’ Doesn’t Recognize Its Own Strength
James McAvoy's impressive acting and fleeting moments of powerful imagery dazzle in M. Night Shyamalan's Glass, but that can't make up for the film's shattered second half.
James McAvoy's impressive acting and fleeting moments of powerful imagery dazzle in M. Night Shyamalan's Glass, but that can't make up for the film's shattered second half.
Polish director Pawel Pawlikowski's Cold War, a sweeping romance, is equally indebted to grand spectacle and the practical compromises of wartime Europe.
Netflix's interactive movie, Bandersnatch, doesn't really offer choices, but it does offer something else: a warning.
Despite a long history of live action films with wildly varying tones, Batman: Mask of the Phantasm is still the only theatrically released Bat-film to truly understand the character and how best to build a story around him.
In Wasteland: The Great War and the Origins of Modern Horror, historian W. Scott Poole exhumes our obsession with the living dead.
Japanese Studies scholar Susan Napier's Miyazakiworld reveals an animation auteur with an urgent message to convey about our future -- and ourselves.
The new documentary by Steven Loveridge, Matangi/Maya/M.I.A., is an imperfect homage to the talents of its star, albeit with brief moments of fascinating inquiry at its center.
Who knew that one of film's greatest arbiters of misery, Steve McQueen, also had a fun side with his latest film, Widows?
In sneaky ways Can You Ever Forgive Me? works as a rallying cry for the dejected.
Robert Redford's swan song, The Old Man and the Gun, capitalizes on the charisma that has made him an enduring star for six decades.
In the prescient The American President, the president and his love interest push the liberal agenda while simultaneously living in the lap of luxury. Talk about having your cake and eating it, too.