Amazing Evening with Gregory Alan Isakov and Symphony at Red Rocks
Concertgoers were blessed to hear Gregory Alan Isakov’s intricate arrangements in Red Rocks’ amazing setting, with lovely weather.
Concertgoers were blessed to hear Gregory Alan Isakov’s intricate arrangements in Red Rocks’ amazing setting, with lovely weather.
And So It Goes blends Liana Flores’ Brazilian roots with high-quality songs and outstanding vocals, wrapped in a modern jazz-pop style.
Yes, Deadheads came for the music, but also for the possibility of a life outside the bounds of straight society; something vaguely criminal and very American noir.
The concert was billed as featuring friends and family, but Loudon Wainwright wasn’t going to sit back and just watch others perform his songs.
Ruthie Foster’s new LP succeeds because its optimism is carried by a voice that remains one of the most expressive instruments in contemporary roots music today.
Pieta Brown sounds less like someone dreaming of somewhere else than someone who has learned how to stay awake inside the dream.
Strange Light explores many permutations of mostly English and American folk, rock, and pop, laced with modes, rhythms, and philosophies derived from the “East”.
Joan As Police Woman revisits her 2009 debut Real Life with warm, retro-modern arrangements, showcasing her skill as a songwriter and producer.
Irish musician Andy Irvine worked hard to learn the challenging musical vocabulary of Balkan folk music, while his colleagues feared being invited to play the music with him.
Elanor Moss’ The Knife, The Needle shows what the songwriter set out to answer: you can live with contradiction. Indeed, love is a knife and a needle.
These new acoustic renditions on Dark Horses illuminate the solitude, humor, and moral weight that have shaped Corb Lund’s Western storytelling
Eliza Carthy’s “Mr Sitting in the Dark” is a wonderfully observed and lyrical tribute to her father, the songwriter, singer and guitarist Martin Carthy.