With a trilogy of striking, multi-genre albums under her belt, a re-release of Jane Weaver's seminal 2014 classic The Silver Globe causes all sorts of reflecting on her own sound, her own legacy, and why she never wants to run a concert from a laptop.
Disregarding a legacy footnoted by a cameo in a film, the Beta Band's collection of The Three E.P.'s is remastered and reissued in celebration of its 20th anniversary and the band's too short career.
For all their wonderfully alien sonic elements, Tunng is a band that's human to the core and can interpret the inherent weirdness of life in a way that makes its strangest moments some of its most comforting.
Following the massive success of 1999's White Ladder and its mega-hit single "Babylon", David Gray could have taken any number of paths. He chose A New Day at Midnight, and it made all the difference.
Gordi's debut seamlessly blends epic electronic soundscape with intimacy in lyricism and folk sensibilities, even if it pulls a little too often from Justin Vernon’s toolkit.
Constructed from looping bass lines, whirring guitars and keyboards, and her enigmatic, murmuring voice, this latest collection of songs from Argentina's premiere electro-folk songstress is a glorious mess of sound.
Over a decade after its first appearence, Trailer Park shows William Orbit's former dance-muse becoming the frontrunner in the post-Joni folk-pop sweepstakes.
British electronic artist Bibio has just released his third album, Vignetting the Compost. He tells us about his work and love for Walt Whitman in these 20 Questions.
Kieran Hebden is the scavenger of the corners and the cracks. He pulls rogue elements of folk from everything rather than the genre itself. And all the pieces fit, which is what makes this album truly fascinating.
