Beirut’s ‘A Study of Losses’ Is an Impressive Feat
Zach Condon’s (Beirut) commission to compose music for a Swedish circus works well as an album but serves better as an artistic statement.
Zach Condon’s (Beirut) commission to compose music for a Swedish circus works well as an album but serves better as an artistic statement.
Circuit des Yeux’s work, including her singular voice, conjures the grand epics, the metamorphoses that the ancients whispered and sang about.
Death Jokes finds Amen Dunes tackling big issues and exploring influences from his youth, but the connection with his listeners still creates deeper meaning.
Humanity and kindness emanate from The Work which shows off Gold Panda’s agility and skill in the studio. The effect is hypnotic and captivating.
Kevin O’Connor’s first album under the Talkdemonic moniker since 2011, Various Seasides, is imbued with all the warmth of a fuzzy sonic blanket.
Having only put out five albums in the past two decades, Beth Orton’s Weather Alive embraces her electro-folk past while embracing a weathered, gorgeous future.
Creating space to honor intense feelings was the goal of Maggie Rogers’ NYC performance and she achieved it. The crowd left with a sense of “feral joy”.
Born of quarantine isolation, Pictish Trail’s Island Family explores connections to place and time. Its creativity offers a challenging authenticity.
These 15 folk albums are the year’s best because they represent folk music’s expanding roots while best serving a unifying, underlying hope.
“Broken March’s” primary melodies pull from folk influences, with piercing ethereal synths recalling Nick x Nati’s combined experience in electronic production.
Ben Howard’s Collections from the Whiteout, produced by the National’s Aaron Dessner, presents a refracted take on the singer-songwriter album.
The Prize Fighter Inferno’s The City Introvert has a safe superficiality, combined with a few moments of out-and-out cringe, making it above-average at best.