Frank Ocean's Endless, the decidedly less commercial of his two recent releases, might just be a victory for artists who've been forced to release music to fulfill contractual obligations. Here's a look at some of history's more significant spite albums.
Too many bottles of this wine we can't pronounce. Too many bowls of that green no lucky charms. Super rich kids -- and the guys from Counterbalance -- listening to the (new) 125th most acclaimed album of all time. Frank Ocean’s surprisingly recent album is next.
LL Cool J constantly implored us to Tweet about everything ("hashtag Bruno Mars!"), a majority of the performances left us bored and disinterested, and the most charming person in the room turned out to be Kelly Clarkson. It was a very odd Grammy Awards broadcast this year, and was a very poor one, to boot.
The 2012 artists of the year range from urgent political punk and hip-hop challenging the establishment -- whether political or economic -- to the rise of a new generation of pop divas and forward-looking indie and R&B.
In the past few days, Uncut, Mojo, and Paste have released their Album of the Year lists, and AllMusic is dropping theirs throughout the week. Some quick analysis shows that it's pretty obvious what the #1 record of the year is going to be for a lot of publications...
It's hard to both live up to hype and craft something distinct in a young career already brimming with excellent releases, but channel ORANGE finds Frank Ocean doing so with a class unlike anyone in music these days.