
Alden Hellmuth Excels on Her Astonishing New Album
Alden Hellmuth is both blazing trails and paying tribute to the past, resulting in what may very well be the finest jazz album of the year so far.

Alden Hellmuth is both blazing trails and paying tribute to the past, resulting in what may very well be the finest jazz album of the year so far.

Prolific jazz saxophonist Adam Schatz, known for his work as an in-demand sideman, takes a bold step forward with Civil Engineering, Vol. 1.

“This music is of biblical importance in many ways for fans of Cecil Taylor and the avant-garde. It was captured at an exciting time in his career.” – Zev Feldman

Adam O’Farrill’s work on ELEPHANT is truly remarkable, which shouldn’t surprise anyone familiar with his resume. He remains a joyous, endlessly curious artist.

No Elephant has ever been this nimble and dancing. Adam O’Farrill’s new album pops and jabs, hops and slithers. It has all the moves. It’s engaging and impressive.

As a composer and bandleader, Jon Irabagon wants to open your ears to styles co-mingling. His heart as a musician is big enough to feel and do it all.

Rather than rescuing a forgotten figure, Cosmic Music enlarges the frame through which Alice Coltrane is seen.

Andy Beta’s Alice Coltrane biography, Cosmic Music, is an excellent work about this forward-thinking and often misunderstood musician.

Dave Douglas’ Four Freedoms allows his elastic band to take chances and improvise outside the lines. It’s a wonderful session that liberates your ears.

Laura Ann Singh steers her reckless way through traditional jazz, torch song elegance, avant-garde experiments, and an anarchic sense of punk rebellion.

It’s a blessing that artists like Jon Irabagon are unafraid to defy convention, playing music both challenging and satisfying, rich in feeling but daring to have an edge.

Everything Is Now expertly demonstrates how NYC’s varied avant-garde subcultures were birthed in cold-water lofts, coffeehouses, and tiny storefront galleries and theaters.