TOPY and Genesis P-Orridge's knowing adoption of cult iconography and organizing principles quickly slid from satiric emulation to full embrace -- and we all went along with it.
What if Genesis Breyer P-Orridge's fascination with the acid house genre came not from magickal profiteering, but rather, as a turn of brinksmanship to counter an existential threat?
Ahead of Mute's Throbbing Gristle reissues, Genesis Breyer P-Orridge connects the tactics of The Second Annual Report to he/r contemporary practice.
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