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Film

In Praise of the Artifice in George Cukor's 'Sylvia Scarlett'

George Cukor's gender-bending Sylvia Scarlett proposes a heroine who learns nothing from her cross-gendered ordeal.

Recent
Film

Ten Cases of Sacked Directors

With Paramount announcing Roberto Orci's replacement as director of the upcoming Star Trek 3, we look back at ten other times when studios and suits played musical chairs with their filmmakers.

Books

'George Cukor: A Double Life' Is Essential Reading on Queer Cinema and Hollywood History

Everyone in Hollywood knew George Cukor’s secret, but it was never spoken freely until the arrival of Patrick McGilligan’s thoroughly researched book.

Film

100 Essential Directors - George Cukor

100 Essential Directors celebrates directors of distinct vision, who have honed their respective crafts, who have brought something new and exciting to the medium, and who continue to push the boundaries of the form.

Michael Abernethy
Film

The 100 Essential Directors Part 3: George Cukor - John Ford

Spiritual possession, screwball comedy, German kinks, and the quintessential American Western genre are among the disparate characters we shine a light on today as PopMatters counts down the 100 Essential Film Directors. Today we look at George Cukor through John Ford. Who falls in the middle might surprise you...

Film

All the Faith in the World: Holiday

Holiday is the sort of movie that gives those who do know it the satisfyingly superior glow of being in on something really good.

Kerrie Mills
Film

Women Without Men

Diane English’s version of The Women barely nudges from its Martha Stewart interiors, exchanging insights for platitudes. It’s a cup of lukewarm tea, without even a biscuit on the side.

Reviews

Essential Classics - Romances

This set highlights the existential crisis about the validity and permanence of love, in a time when Americans were reminded of the absolute ephemeral nature of life and stripped of ideals by the War.

Erik Hinton
Reviews

Holiday (1938)

Boasting a script packed full of acerbic gems, Holiday also has a tremendous visual energy.

Emma Simmonds
Reviews

The Marrying Kind (1952)

Hollywood did not allow Holliday to display the full range of her talent and intelligence; most of her roles were variants of the 'dumb blonde'.

David Sanjek

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