Recent

For a Comedy of Manners, 'The Philadelphia Story' Is Awfully Screwball

Often screwball comedies feature sharp contrasts between social classes, with not-so-subtle commentaries on the idle rich, and that's here in triplicate.

Film

"Come Again, Little Girl": 32 Films That Begin With Someone Leaving a Mental Institution (1904-2012)

These 32 films make the case for the recently-escaped-or-released-mental-patient narrative as its own subgenre, replete with a language of recurring themes, plot devices, and character archetypes.

A. Loudermilk

Film

'George Cukor: A Double Life' Is Essential Reading on Queer Cinema and Hollywood History

Everyone in Hollywood knew George Cukor’s secret, but it was never spoken freely until the arrival of Patrick McGilligan’s thoroughly researched book.

Books

100 Essential Directors - George Cukor

100 Essential Directors celebrates directors of distinct vision, who have honed their respective crafts, who have brought something new and exciting to the medium, and who continue to push the boundaries of the form.

Michael Abernethy

Film

The 100 Essential Directors Part 3: George Cukor - John Ford

Spiritual possession, screwball comedy, German kinks, and the quintessential American Western genre are among the disparate characters we shine a light on today as PopMatters counts down the 100 Essential Film Directors. Today we look at George Cukor through John Ford. Who falls in the middle might surprise you...

Film

All the Faith in the World: Holiday

Holiday is the sort of movie that gives those who do know it the satisfyingly superior glow of being in on something really good.

Kerrie Mills

Film

Women Without Men

Diane English’s version of The Women barely nudges from its Martha Stewart interiors, exchanging insights for platitudes. It’s a cup of lukewarm tea, without even a biscuit on the side.

Film

Essential Classics - Romances

This set highlights the existential crisis about the validity and permanence of love, in a time when Americans were reminded of the absolute ephemeral nature of life and stripped of ideals by the War.

Erik Hinton

Reviews

Holiday (1938)

Boasting a script packed full of acerbic gems, Holiday also has a tremendous visual energy.

Emma Simmonds

Reviews

The Marrying Kind (1952)

Hollywood did not allow Holliday to display the full range of her talent and intelligence; most of her roles were variants of the 'dumb blonde'.

David Sanjek

Reviews

Pop Ten

The 100 Greatest Alternative Singles of the '80s: Part 1: 100 - 81

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Mixed Media

Collapse Expand Mixed Media

PM Picks

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For a Comedy of Manners, 'The Philadelphia Story' Is Awfully Screwball

Often screwball comedies feature sharp contrasts between social classes, with not-so-subtle commentaries on the idle rich, and that's here in triplicate.

"Come Again, Little Girl": 32 Films That Begin With Someone Leaving a Mental Institution (1904-2012)

These 32 films make the case for the recently-escaped-or-released-mental-patient narrative as its own subgenre, replete with a language of recurring themes, plot devices, and character archetypes.

'George Cukor: A Double Life' Is Essential Reading on Queer Cinema and Hollywood History

Everyone in Hollywood knew George Cukor’s secret, but it was never spoken freely until the arrival of Patrick McGilligan’s thoroughly researched book.

100 Essential Directors - George Cukor

100 Essential Directors celebrates directors of distinct vision, who have honed their respective crafts, who have brought something new and exciting to the medium, and who continue to push the boundaries of the form.

The 100 Essential Directors Part 3: George Cukor - John Ford

All the Faith in the World: Holiday

Holiday is the sort of movie that gives those who do know it the satisfyingly superior glow of being in on something really good.

Women Without Men

Diane English’s version of The Women barely nudges from its Martha Stewart interiors, exchanging insights for platitudes. It’s a cup of lukewarm tea, without even a biscuit on the side.

Essential Classics - Romances

This set highlights the existential crisis about the validity and permanence of love, in a time when Americans were reminded of the absolute ephemeral nature of life and stripped of ideals by the War.

Holiday (1938)

Boasting a script packed full of acerbic gems, Holiday also has a tremendous visual energy.

The Marrying Kind (1952)

Hollywood did not allow Holliday to display the full range of her talent and intelligence; most of her roles were variants of the 'dumb blonde'.

Suede's Second Coming Continues with 'The Blue Hour'

Grandoozy in Eight Hours on Orange Sunday: St. Vincent, Denver Broncos Play to Win

'Talking to My Daughter About the Economy', and Putting Economists In Their Place

Paul McCartney Travels to 'Egypt Station' for an Enjoyable Stop in a Prolific Career

The 100 Greatest Alternative Singles of the '80s: Part 1: 100 - 81

The Reverend Peyton's Big Damn Band Pierce Through the Darkness with "You Can't Steal My Shine" (premiere)

A Hawk and a Hacksaw Summon a Vibrant Folk Spiral with "The Sky Is Blue, The Desert Is Yellow" (premiere)

QUIX Shares New Single, "Giving Up" and Announces Illusions EP + Fall Tour (premiere)

Handgrenades Drop Video for Stomping, Fuzzy New Song "Honey B" (premiere)

Posh Hammer Explores What It Means "To Kill Time" (premiere)

Ashleigh Flynn & the Riveters Get the Job Done With "This Love" (premiere + interview)

The Reverend Peyton's Big Damn Band Pierce Through the Darkness with "You Can't Steal My Shine" (premiere)

Granville Automatic Unfurl a Piece of Nashville History with "News of the World" (premiere)

Ike Reilly's "Clean Blood Blues" Captures Attitude, Artistic Grit (premiere)

Thayer Sarrano's Poetic, Gothic "I Will Never Be Used to Your Beauty" Establishes Exciting New Voice (premiere)

Often screwball comedies feature sharp contrasts between social classes, with not-so-subtle commentaries on the idle rich, and that's here in triplicate.

These 32 films make the case for the recently-escaped-or-released-mental-patient narrative as its own subgenre, replete with a language of recurring themes, plot devices, and character archetypes.

With Paramount announcing Roberto Orci's replacement as director of the upcoming Star Trek 3, we look back at ten other times when studios and suits played musical chairs with their filmmakers.

Everyone in Hollywood knew George Cukor’s secret, but it was never spoken freely until the arrival of Patrick McGilligan’s thoroughly researched book.

100 Essential Directors celebrates directors of distinct vision, who have honed their respective crafts, who have brought something new and exciting to the medium, and who continue to push the boundaries of the form.

Holiday is the sort of movie that gives those who do know it the satisfyingly superior glow of being in on something really good.

Diane English’s version of The Women barely nudges from its Martha Stewart interiors, exchanging insights for platitudes. It’s a cup of lukewarm tea, without even a biscuit on the side.

This set highlights the existential crisis about the validity and permanence of love, in a time when Americans were reminded of the absolute ephemeral nature of life and stripped of ideals by the War.

Boasting a script packed full of acerbic gems, Holiday also has a tremendous visual energy.

Hollywood did not allow Holliday to display the full range of her talent and intelligence; most of her roles were variants of the 'dumb blonde'.