If you're used to the blood splatter of slasher films or the evil monsters of supernatural thrillers, be warned: Beautiful Darkness covers an abyss of horrors far deeper.
I usually cringe at story-halting gratuitousness, but the best thing about Blossoms in Autumn is the sex scene.
There's a lot of yarn for this cat to untangle in Emily Carroll's When I Arrived at the Castle.
The world of The Perineum Technique is sort of our own world, and sort of not. It's an area between.
There's a pleasant "off-ness" about the not really reality within reality of James Sturms' graphic fiction, Off Season.
Danish artist Rikke Villadsen appears to be spinning a circular tale-within-a-tale with no origin or end points and only tragic escapes in his graphic fiction work, The Sea.
Charles Forsman and Max de Radiguès' graphic fiction collaboration, Hobo Mom, is successful both in its minimalistic visual approach and its realistic treatment of the emotional dynamics of an estranged but well-intentioned family.
While dimension-deforming environments are normal in cartoon worlds, few wander as far to the edge of pure abstraction—let alone cross it -- as Michael DeForge does in Brat.
Revisiting the moon landing via graphic fiction work, Apollo, offers a vital reminder of hope and possibility in these dark and petty times.
After the devastating effects of American bombings of Japan during World War II, how do people rebuild themselves and their society? Tadao Tsuge explores these difficulties in Slum Wolf.
