Bishakh's Som's graphic memoir, Spellbound, serves as a reminder that trans memoirs need not hinge on transition narratives, or at least not on the ones we are used to seeing.
Art dances with loss in the moving double-memoir by comics artists Vivian Chong and Georgia Webber, Dancing After TEN.
The title of Lisa Wool-Rim Sjöblom's graphic memoir, Palimpsest, is an excellent metaphor for adoption generally and especially the literally erased and rewritten documents that define many Korean adoptions. But it is also a visual metaphor.
The differences between Sylvia Nickerson's realistically-depicted homeless and the blob-like privileged establishes Creation's central dichotomy and critique.
De Jongh constructs a jigsaw puzzle of personalities, life experiences, and national identities, where even contrasts ultimately reveal connections in her graphic memoir, Taxi!
Picking up where Chlorine Gardens left off, Keiler Roberts' graphic memoir, Rat Time, wanders artfully and unannounced into memories.
The metaphor of imperfection and transition flows beneath every page of Frank Santoro's graphic memoir, Pittsburgh.
In graphic memoir They Called Us Enemy, iconic Star Trek star George Takei draws from his family's experience of Japanese-American internment camps to warn of a potentially dark future.
Travis Dandro's King of King Court is an excellent reminder of how evocatively effective comics are in the hands of a skilled memoirist.
While the art world is full of excellent artists, few have the comics savvy to construct the sort of complex narratives and image-text relationships that Sarah Lightman achieves in her memoir, The Book of Sarah.
Julie Delporte's graphic memoir, This Woman's Work, documents her private and professional search for her place in a male-dominated field and world.
In graphic novel Belonging, Nora Krug takes a single idea – her family's involvement in the Second World War and Nazi Germany – and pursues it with relentless, forensic determination.
Graphic memoirist Keiler Roberts never cracks a smile in her latest, but that doesn't mean you won't.
Liana Finck dazzles with her minimalist lines, which include the simple grids of her panels and gutters. Her plot is an artist's plot, a kind of mystery or vision quest.
In The Hookah Girl, Dabaie' portrays herself and her family in an evolving array of styles that creates an underlying instability to her micro-narratives.
There are plenty of tough moments in this tale, in both the author's personal life and in her struggles to understand her troubled dog, yet there's never any doubt that they belong together.
This book offers a poignant and jarring reminder not just of the resilience of the human spirit, but also of its ability to seek solace in the materiality of one's present.
Peter Kuper's work reminds us of the vibrant and inspired everyday people who live under the tyranny of petty and corrupt officials in both Mexico and the United States.
In gg's graphic memoir, I'm Not Here, we travel with the protagonist, suffering the same confusions that define her life.
Eleanor Davis documents her up-hill struggle with America and her weak-kneed self in You & a Bike & a Road.
Based on her experience of the Islamic Revolution in Iran, Marjane Satrapi introduces us to the effects of cultural change through the eyes of a child.
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